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Abstract
Renowned photographer, Chester Higgins, has captured in the sensitivities of people, interesting places, and fleeting moments in his art; and his creative canvas spans the world; it challenges and provokes but also offers solace in time of need. His work, when viewed by different people and different societal groupings, delivers new and often unexpected meanings. Although his photographs are difficult to categorize because absolute distinctions are constantly undermined by the viewer's horizons of expectations and values that are brought to the viewing situation, Higgins has slotted some of his photographic images into sections described as ‘politics’, ‘writers’, ‘religion’, and ‘social life’. In this short essay an attempt is made to view some selected pieces and come up with innovative meanings. Since the unifying theme in the photography is that of Africans in the diaspora, a few pieces are sampled from each section.