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Notes
1 See Van der Vlies, South African Textual Cultures; Brouillette, Postcolonical Writers; and Kruger, “Apartheid on Display.”
2 See Engle's “Outrageous Meaning” and “The Political Uncanny;” Heyns, “The Whole Country's Truth;” Byrne, “Science Fiction in South Africa;” and Munro, “Queer Futures.”
1 A mischievous or evil dwarf-like sprite or supernatural being in some South African belief systems.
2 Elsewhere, Dovey seems to equate “canonical” with “foreign sources” (207).
3 In a footnote, Dovey cites a list of recent books on adaptation studies all but one of which, Hutcheon's A Theory of Adaptation, are not in her bibliography, and which are not discussed or addressed elsewhere in the book. The studies cited in the footnote but absent from the bibliography are: Stam and Raengo, eds., A Companion to Literature and Film (misdated by Dovey as 2005, not 2004); Leitch Film Adaptation and its Discontents; Cartmell and Whelehan, eds., The Cambridge Companion to Literature on Screen; Sanders, Adaptation and Appropriation (misdated by Dovey as 2007, not 2006).
4 See Leitch, “Adaptation Studies at a Crossroads.”