Abstract
This paper examines how artists employ photography to investigate and challenge the museum. It makes particular reference to the work of three women artists: Louise Lawler, Sophie Calle and Diane Neumaier. Their work is discussed with reference to the concept of the fictional and the ways in which photography can function as a frame within which museum hegemony, the viewing experience and art’s commodification are questioned. Finally, digital photography and online manifestations of imaginary institutions are considered, suggesting that perhaps a new virtual frame emerges for the production of fictions that allows us to reimagine both photography and the museum.
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Elena Stylianou
Dr Elena Stylianou is Assistant Professor in Art History and Theory at European University Cyprus. She previously held a research postdoctoral fellowship at the University of London, Institute of Education, UK (2007–2009) and earned her Doctorate from Teachers College, Columbia University, NY (2004–2007) with specialization in Art Theory. She also holds a Masters Degree from the same school in Art and Education with emphasis in Museum Studies. She has taught in well-known museums in New York and she is recipient of numerous prestigious fellowships and awards. Her research interests involve contemporary art and photography, and curatorial practices and pedagogy.