Disclosure statement
No potential conflict of interest was reported by the author.
Notes on contributor
Daniel Martin is Associate Professor of Film Studies in the School of Humanities and Social Sciences at the Korea Advanced Institute of Science and Technology (KAIST). His recent research concerns the international circulation of films from South Korea, Japan, and Hong Kong. He is the author of Extreme Asia: The Rise of Cult Cinema from the Far East (2015), co-editor of Korean Horror Cinema (2013) and Hong Kong Horror Cinema (2018), and has published articles in Cinema Journal, The Journal of Film and Video, The Journal of Popular Culture, Continuum, Film International, Acta Koreana, Asian Cinema, and The Journal of Korean Studies.