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ABSTRACT
Scholars who have been writing on the problems of classifying the oral song genres of Africa have tended to be inflexible. The oral song has been approached using functionalist and other anthropological theories. While these theories have shed some light on the nature of African oral song, this has been at the expense of exploring the actual song texts in their own right. This paper samples and explores some selected songs from the iSiXhosa cultural traditions by means of textual analysis. The paper intends to show that song genres cross-pollinate each other and that the recurrent themes in the songs contextualize and underpin the social and philosophical lives of the Xhosa people. Since the Xhosa people are differentiated in terms of age, class and gender, it follows that the themes of the songs reflect and mediate this reality. Songs can suggest new themes or can be interpreted in new ways which, when accepted in the Xhosa community, can then become dominant and recurrent ways of interpreting reality.