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Articles

‘Is every YouTuber going to make a coming out video eventually?’: YouTube celebrity video bloggers and lesbian and gay identity

Pages 87-103 | Received 17 Mar 2016, Accepted 13 Jul 2016, Published online: 08 Aug 2016
 

ABSTRACT

A significant number of YouTube celebrity video bloggers (vloggers) have used the platform to come out publicly as lesbian or gay. This article interrogates the cultural work of YouTube celebrity coming outs, through the case studies of two of the most prominent gay vloggers: Ingrid Nilsen and Connor Franta. The article explores how the coming out moments of these vloggers, as articulated in their coming out vlogs and the wider media discourses surrounding these, make legible a normative gay youth subject position which is shaped by the specific tropes, conventions and commercial rationale of YouTube fame itself. I define this subject position as ‘proto-homonormative’. It positions a ‘successful’ gay adulthood, defined through the neoliberal ideals of authenticity, self-branding and individual enterprise bound to the phenomenon of YouTube celebrity, as contingent upon a particular personal relationship with one’s non-normative sexuality. I interrogate how the emotional contours of Nilsen and Franta’s coming out narratives, their represented abilities to channel their non-normative sexualities into lucrative celebrity brands and their construction as gay and lesbian ‘role models’ by the mainstream media delineate a journey into ‘acceptance’ and ‘pride’ in one’s gay sexuality as the expected narrative of contemporary gay life. This narrative, I argue, cements the default normativity of heterosexuality in mainstream culture, and produces a narrow framework of ‘acceptable’ gay youth subjectivity which is aligned with the ideals of neoliberalism embodied in the figure of the YouTube celebrity vlogger.

Acknowledgements

The author would like to thank Su Holmes and Jamie Hakim for their guidance and suggestions in relation to previous drafts of this article.

Disclosure statement

No potential conflict of interest was reported by the author.

Notes

Additional information

Funding

This work was supported by the Arts and Humanities Research Council [AH/K503009/1].

Notes on contributors

Michael Lovelock

Michael Lovelock is a PhD candidate in the School of Art, Media and American Studies at the University of East Anglia, UK. His research explores the construction of gay and queer identities in reality TV, celebrity culture and digital media, and has been published in European Journal of Cultural Studies and Journal of Gender Studies.

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