ABSTRACT
Although the letter of James was written to an urban audience, it incorporates examples from nature and agricultural motifs, such as springs and trees (3:11–12), field labourers and harvesters (5:4), and the patient farmer (5:7) who bears similarity to the steadfast Job (5:11) and prayerful Elijah (5:17–18), into the text. This article argues that this agrarian imagery is a literary trope—sometimes subtle and at other times obvious—that serves as a contrast to negative phenomena associated with the city. The opposition apparent in James coheres with the tendency among Graeco-Roman writers to contrast the rural/natural with the urban/artificial. Such a pattern of images supports some of the letter's moral directives.