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Practices and Curations

Art as a Tool for Wilderness Management: Stewardship and Sense of Place in Misty Fiords National Monument, Alaska

Pages 249-261 | Received 05 May 2017, Accepted 01 Dec 2017, Published online: 24 Jan 2018
 

Abstract

Although the U.S. Forest Service (USFS) manages the nation’s oldest and largest number of federally designated wilderness areas, the agency struggles to articulate the socioecological importance of wilderness to the U.S. people and to develop monitoring protocols to protect wilderness characteristics. Drawing on a long-standing U.S. tradition of using art to inspire conservation and preservation, in 2010 the Alaska Region USFS began partnering with artists to celebrate wilderness and “creat[e] dialogue” about management challenges. As the 2016 “Voice of the Wilderness” artist for Misty Fiords National Monument, I collaborated with backcountry rangers to assess anthropogenic impacts to the wilderness, envision alternatives to current recreational uses, and, mainly, translate the soaring fjords, swirling mist, sea-gray water, lush forest, and abundant wildlife into sketches, photographs, and a hand-drawn map for outreach materials. This article describes Misty Fiords’ unique characteristics, discusses the artist-in-wilderness experience, and explores the premise that art has the power to help people develop a sense of place and nurture a stewardship ethic.

尽管美国国家森林局(USFS)管理全国历史最悠久且最大量的联邦指定荒野地区,但该单位在阐述荒野对美国人而言的社会生态重要性,以及发展保护荒野特徵的监控协议工作上,却经历诸多困难。自2010年起,阿拉斯加地区的USFS开始利用美国运用艺术来促进保存与保育的悠久传统,与艺术家合作来颂扬荒野,并为管理上的挑战“创造对话”。身为2016年迷雾峡湾国家保护区的“荒野之声”艺术家,我与偏远地区的国家公园管理员合作,评估人类对于荒野的冲击,展望有别于当下休憩使用的另类选择,并主要将高耸的峡湾、迴旋的薄雾、灰沉的海水、苍鬱的森林,以及丰饶的荒野生命纳入速写、相片,以及手绘地图中,作为拓展的材料。本文描绘迷雾峡湾的特徵,探讨艺术家在荒野中的经验,并探索艺术有能力协助人们建立地方感并培育管理伦理的前提。

Aunque el Servicio Forestal de los EE.UU. (USFS) administra el mayor número de las áreas silvestres más viejas, federalmente designadas, esta agencia lucha por articular la importancia socioecológica de la vida silvestre entre el pueblo norteamericano y para desarrollar protocolos de monitoreo destinados a proteger las características de lo silvestre. Apoyándose en una tradición americana de vieja data, en el sentido de usar el arte para inspirar la conservación y la preservación, la Región Alaska del USFS empezó en 2010 a asociarse con artistas para celebrar lo silvestre y “crear diálogo” acerca de los retos del manejo forestal. En la condición de artista 2016 de la “Voz de lo Silvestre” [Voice of Wilderness] del Monumento Nacional de los Fiordos Brumosos, yo colaboré con los guardias forestales en evaluar los impactos antropogénicos sobre áreas silvestres, concebir alternativas para los actuales usos recreacionales y, principalmente, traducir los fiordos agobiadores, las nieblas turbulentas, el agua gris marino, el bosque frondoso y la abundante vida silvestre en bosquejos, fotografías y mapas dibujados a mano alzada como materiales de divulgación. Este artículo describe las características únicas de los Fiordos Brumosos, discute la experiencia del artista en los campos silvestres y explora la premisa de que el arte tiene el poder de ayudar a la gente a desarrollar un sentido del lugar y a nutrir una ética de administración.

ACKNOWLEDGMENTS

This research was conducted during a U.S. Forest Service Alaska Region “Voices of the Wilderness” artist residency. Deep thanks for those who envision and enable this program, especially the dedicated personnel at the Ketchikan/Misty Fiords Ranger District, Tongass National Forest.

Additional information

Funding

This research would not have been possible without support from a Faculty Creative Activity Award from the State University of New York College at Oneonta.

Notes on contributors

Tyra A. Olstad

TYRA A. OLSTAD is an Assistant Professor in the Department of Geography and Environmental Sustainability at SUNY Oneonta, Oneonta, NY 13820. E-mail: [email protected]. Her research interests center on sense of place, place attachment, and public land management.

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