Abstract
For many geographers, the printed page is no longer a productive tool to engage contemporary definitions of place or debates surrounding the nonrepresentational. There is a discernible shift within the discipline toward creative research methods, including using media such as film or sound, with a perception that they are less “fixed” in nature. In this article, however, I suggest that, by developing “geo/graphic” work that draws on theories and practices from both cultural geography and graphic design, the page can be recast as a liminal space, a threshold between readers and their understanding and imagination. I propose that a book has the potential to offer a multisensory, interactive space of exploration for readers and that the construction of such geo/graphic work also offers researchers an additional creative method with which to understand place.
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Alison Barnes
Dr. Barnes is a lecturer in visual communication at the University of Western Sydney, Penrith, 2741, Australia; [[email protected]].