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The Court Historian Volume 10, 2005 - Issue 1: Queens and the Transformation of Political Culture: The Case of Early Modern France.
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THE ITALIAN ‘TRAINING’ OF CATHERINE DE MEDICI: PORTRAITS AS DYNASTIC NARRATIVE For their assistance with this paper, I would like to thank the other participants at the Massachusetts Center for the Renaissance conference on Queens and Dynastic Culture, the editors of this collection, and Anne Alexander Marshall, Sheryl Reiss and Kathleen Wilson-Chevalier.

Sheila ffolliottSheila ffolliott is Professor of Art History at George Mason University. Recent publications include: ‘Learning to Be Looked at: The Portrait of [the artist as] a Young Woman in Agnès Merlet’s Artemisia’, in Reclaiming Female Agency: Feminist Art History after Postmodernism, ed. Norma Broude and Mary Garrard (Berkeley, 2005), pp. 3;62 and ‘Catherine de’ Médicis: la Reine-Patronne idéale de la Rénaissance?’ in Les femmes et les arts á la Renaissance: patronnes et mécènes, d’Anne de France à Catherine de Médicis, ed. Kathleen Wilson-Chevalier (Paris, 2006) forthcoming.
Pages 37-53 | Published online: 06 Nov 2014
 
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