Abstract
Madeleine de Scudéry, in her novel Artamène ou ie Grand Cyrus, uses the naming of the hero, the depiction of contemporary figures as characters in this roman à clef, and an authorial pseudonym as strategies to provoke reader reaction and to depart from conventional practices of the time. Seen in the context of preciosity and seventeenth-century women's writings, Scudery used names in Artamène to promote a redefinition of both the hero and contemporary literary practices.