ABSTRACT
Phenomenologically and reflexively influenced, this paper investigates an experiential conception of the imagination through an exploration of an extreme bodily act. Foremost, it sets the scene for a conceptual consideration of dangerous practices such as cliff jumping. This potentially pushes the level in which we can reflect upon such a thing as an existential or embodied imagination. Here modernity's leveling of the docile body is challenged. Hence, in focusing on those sub-cultural practices that involve the extreme use of landscape, I propose an alternative scenario in which to consider the creativity of the body. Such a framework situates hazardous activities beyond the level of much contemporary thinking within the anthropology of sport or the sociology of risk, to a more far-reaching—perhaps “extremist” position—where they come across as existentially poignant, performative acts of the social imagination.