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ABSTRACT
Through a consideration of the underwater singing practiced by contemporary American soprano and performance artist Juliana Snapper, this article addresses the inherent relation between materiality and the voice, the sensed and the embodied. I focus on the physical and sensory properties of singers' and listeners' bodies; the space within and the matter through which sound disperses; and how the relation between these aspects plays an integral part in what it feels like to sing, and what it is possible to hear. I aim to demonstrate that a sensory reading of singing and listening may capture dimensions of the voice that are difficult, if not impossible, to account for using conventional analyses of music or standard readings of vocal repertoire. However, a sensory approach to sound does not offer a stable explanation of what sound or music is. Instead each such account unveils a composite manifestation of our understanding of sound at a given moment in time and space.