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Abstract
Punch was the foremost satirical publication of the nineteenth and early twentieth century, engaging thoughtfully and seriously with the world of science. This article examines three of Punch's graphic satires concerning medical innovation. As Punch relied heavily on topical humour, many of its satires can trace their roots to occurrences reported in the popular press, which help to put the cartoons in context for an accurate reading of Punch's motives.
Punch's method, to educate and engage its loyal readers in debates about the role of medicine and doctors whilst making them laugh, would seem to be unique.
Declaration of interest
The authors report no conflicts of interest. The authors alone are responsible for the content and writing of the paper.