Anti-Space: the political complexion of an inner city art gallery

Abstract

The subject of this paper is an inner city artist-run gallery called Eastside Projects. As part of an historical trend in artistrun spaces, Eastside Projects have innovated a strategic approach to post-industrial space, their location and role within the city of Birmingham, UK. This paper outlines their approach in the context of the recent cultural policy frameworks impressed on publicly funded city-based art organisations. It attempts to extend the conceptualisation of contemporary art in the city within urban studies generally, specifically investigating the theoretical potential of Eastside Project's curatorial strategy. How can we define public agency for art in the neoliberal city? For Eastside Projects, agency is defined principally through space and the aesthetics of space. This paper proposes a theoretical framework for articulating the political aesthetics of new public spaces for art.

Keywords:

• contemporary art
• creative city
• cultural policy
• public space
• spatial aesthetics

Additional information

Notes on contributors

Jonathan P. Vickery

JONATHAN VICKERY

Associate Professor in the Centre for Cultural Policy Studies, at the University of Warwick, Millburn House, Coventry, West Midlands, CV4 7AL, UK. E-mail: [email protected]

He has been a Henry Moore post-doctoral Fellow (University of Essex), and a Lecturer in Contemporary Art at the University of Warwick. He was a co-editor of the journal Aesthesis, is now Chair of the international Art of Management and Organization. He is Director of the new masters program in Arts, Enterprise and Development. His most recent publication is (with Ian King) Experiencing Organisations (Libri: Oxon).