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Original Article

Absence, Ambiguity, and The Representation of Creativity in Vermeer’s the Art of Painting

Pages 583-608 | Published online: 12 Sep 2017

Keep up to date with the latest research on this topic with citation updates for this article.

Read on this site (3)

Margaret Ann Fitzpatrick Hanly. (2016) Sibling rivalry, separation, and change in Austen's Sense and Sensibility. The International Journal of Psychoanalysis 97:4, pages 1057-1075.
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Margaret Ann Fitzpatrick Hanly. (2016) Rivalidad entre hermanos, separación y cambio en la novela de Jane Austen Sensatez y Sentimientos. The International Journal of Psychoanalysis (en español) 2:4, pages 1161-1183.
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Adele Tutter. (2011) Metamorphosis and the aesthetics of loss: I. Mourning Daphne –The Apollo and Daphne paintings of Nicolas Poussin. The International Journal of Psychoanalysis 92:2, pages 427-449.
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Articles from other publishers (2)

Margaret Ann Fitzpatrick Hanly. (2017) Geschwisterrivalität, Loslösung und Entwicklungsprozesse in Jane Austens »Verstand und Gefühl«. PSYCHE 71:09, pages 939-967.
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Donald A. Hantula, Mary Margaret Sudduth & Alison Clabaugh. (2017) Technological Effects on Aesthetic Evaluation: Vermeer and the Camera Obscura. The Psychological Record 59:3, pages 323-333.
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