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The Psychoanalytic Quarterly Volume 77, 2008 - Issue 2
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Original Article

Psychoanalytic Perspectives on Music: an Intersection on the Oral and Aural Road

Julie Jaffee NagelCorrespondence[email protected]
Pages 507-530 | Published online: 12 Sep 2017

Citations (7)

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Read on this site (4)

Julie Jaffee Nagel. (2023) Leaving Home: Prokofiev’s “Peter and the Wolf”. Psychoanalytic Inquiry 43:6, pages 425-435.
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Moshe Bergstein. (2013) The wish for annihilation in ‘love–death’ as collapse of the need for recognition, in Wagner's Tristan und Isolde. The International Journal of Psychoanalysis 94:4, pages 747-766.
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Richard Rusbridger. (2013) Projective identification in Othello and Verdi's Otello. The International Journal of Psychoanalysis 94:1, pages 33-47.
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Adolfo Pazzagli & Mario Rossi Monti. (2010) Psychoanalysis and Art: Artistic Representations in Patients’ Dreams. The Psychoanalytic Quarterly 79:3, pages 731-752.
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Articles from other publishers (3)

Cinzia Morselli. (2023) La musica all'interno della relazione analitica: quando i bambini cantano. SETTING:45, pages 97-114.
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Julie Jaffee Nagel. (2010) Melodies in My Mind: the Polyphony of Mental Life. Journal of the American Psychoanalytic Association 58:4, pages 649-662.
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Julie Jaffee Nagel. (2010) Psychoanalytic and Musical Ambiguity: the Tritone in Gee, Officer Krupke . Journal of the American Psychoanalytic Association 58:1, pages 9-25.
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