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Original Articles

The Influence of Musical Context on Tempo Rubato

Pages 131-158 | Published online: 09 Aug 2010

Keep up to date with the latest research on this topic with citation updates for this article.

Read on this site (1)

Benjamin Carson. (2007) Perceiving and Distinguishing Simple Timespan Ratios without Metric Reinforcement. Journal of New Music Research 36:4, pages 313-336.
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Articles from other publishers (13)

Nathaniel Condit-Schultz & Beach Clark. (2024) Have we sold our souls to the drum machine? A historical analysis of tempo stability in Western music recordings. Musicae Scientiae.
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Kuniyoshi L Sakai, Yoshiaki Oshiba, Reiya Horisawa, Takeaki Miyamae & Ryugo Hayano. (2022) Music-experience-related and musical-error-dependent activations in the brain. Cerebral Cortex 32:19, pages 4229-4242.
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Dorottya Fabian. 2014. Expressiveness in music performance. Expressiveness in music performance 58 79 .
Renee Timmers, Makiko Sadakata & Peter Desain. (2012) The Role of Visual Feedback and Creative Exploration for the Improvement of Timing Accuracy in Performing Musical Ornaments. Music Perception 30:2, pages 187-204.
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Alexander Lerch. 2012. An Introduction to Audio Content Analysis. An Introduction to Audio Content Analysis 207 242 .
Simone Dalla Bella, Jean-François Giguère & Isabelle Peretz. (2009) Singing in congenital amusia. The Journal of the Acoustical Society of America 126:1, pages 414-424.
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Benjaman Schogler, Gert-Jan Pepping & David N. Lee. (2008) TauG-guidance of transients in expressive musical performance. Experimental Brain Research 189:3, pages 361-372.
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Hugo Quené. (2007) On the just noticeable difference for tempo in speech. Journal of Phonetics 35:3, pages 353-362.
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Simone Dalla Bella, Jean-François Giguère & Isabelle Peretz. (2007) Singing proficiency in the general population. The Journal of the Acoustical Society of America 121:2, pages 1182-1189.
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Sandra Quinn & Roger Watt. (2016) The Perception of Tempo in Music. Perception 35:2, pages 267-280.
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Renee Timmers. (2005) Predicting the similarity between expressive performances of music from measurements of tempo and dynamics. The Journal of the Acoustical Society of America 117:1, pages 391-399.
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Werner Goebl & Roberto Bresin. (2003) Measurement and reproduction accuracy of computer-controlled grand pianos. The Journal of the Acoustical Society of America 114:4, pages 2273-2283.
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Alf Gabrielsson. (2016) Music Performance Research at the Millennium. Psychology of Music 31:3, pages 221-272.
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