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Journal of New Music Research Volume 29, 2000 - Issue 3
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Original Articles

Music from Motion: Sound Level Envelopes of Tones Expressing Human Locomotion

Anders Friberg
,
Johan Sundberg
&
Lars Frydén
Pages 199-210 | Published online: 09 Aug 2010

Citations (25)

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Read on this site (3)

Filippo Bonini Baraldi, Giovanni De Poli & Antonio Rodà. (2006) Communicating expressive intentions with a single piano note. Journal of New Music Research 35:3, pages 197-210.
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Rafael Ramirez, Amaury Hazan, Emilia Gómez, Esteban Maestre & Xavier Serra. (2005) Discovering expressive transformation rules from saxophone jazz performances. Journal of New Music Research 34:4, pages 319-330.
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Antonio Camurri, Giovanni De Poli, Anders Friberg, Marc Leman & Gualtiero Volpe. (2005) The MEGA Project: Analysis and Synthesis of Multisensory Expressive Gesture in Performing Art Applications. Journal of New Music Research 34:1, pages 5-21.
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Articles from other publishers (22)

Elaine Chew. (2014) Music interaction with others as conveyor of relational intent: A response to Cross (2014). Psychology of Music 42:6, pages 826-838.
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Ramon López de Mántaras Badia. (2014) Computational creativity. Arbor 189:764, pages a082.
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Francesco Grani, Stefania Serafin, Amalia de Gotzen, Dan Overholt & Spencer Topel. (2013) Investigating the relationship between pressure force and acoustic waveform in footstep sounds. Investigating the relationship between pressure force and acoustic waveform in footstep sounds.
Jörgen Torp. (2018) Musical Movement: Towards a Common Term for Music and Dance. Yearbook for Traditional Music 45, pages 231-249.
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Ramon Lopez de Mantaras & Josep Lluís Arcos. (2012) 2011 Robert S. Engelmore Memorial Lecture Award: Playing with Cases: Rendering Expressive Music with Case‐Based Reasoning. AI Magazine 33:4, pages 22-32.
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Paul Broomhead, Jon B. Skidmore, Dennis L. Eggett & Melissa M. Mills. (2012) The Effects of a Positive Mindset Trigger Word Pre-Performance Routine on the Expressive Performance of Junior High Age Singers. Journal of Research in Music Education 60:1, pages 62-80.
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Andreas Neocleous, Rafael Ramirez, Alfonso Perez & Esteban Maestre. (2010) Modeling emotions in violin audio recordings. Modeling emotions in violin audio recordings.
Rafael Ramirez, Esteban Maestre & Xavier Serra. (2010) Automatic performer identification in commercial monophonic Jazz performances. Pattern Recognition Letters 31:12, pages 1514-1523.
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Maria-Cristina Marinescu & Rafael Ramirez. (2009) A Timing-Based Classification Method for Human Voice in Opera Recordings. A Timing-Based Classification Method for Human Voice in Opera Recordings.
Marc Leman, Frank Desmet, Frederik Styns, Leon Van Noorden & Dirk Moelants. (2009) Sharing Musical Expression Through Embodied Listening: A Case Study Based on Chinese Guqin Music. Music Perception 26:3, pages 263-278.
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Rafael Ramirez, Amaury Hazan, Jordi Marine & Xavier Serra. 2008. The Art of Artificial Evolution. The Art of Artificial Evolution 123 142 .
Frederik Styns, Leon van Noorden, Dirk Moelants & Marc Leman. (2007) Walking on music. Human Movement Science 26:5, pages 769-785.
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Rafael Ramirez, Amaury Hazan, Esteban Maestre & Xavier Serra. 2007. Multimedia Data Mining and Knowledge Discovery. Multimedia Data Mining and Knowledge Discovery 362 380 .
Elaine Chew, Jie Liu & Alexandre R. J. François. (2006) ESP. ESP.
RAFAEL RAMIREZ & AMAURY HAZAN. (2011) A TOOL FOR GENERATING AND EXPLAINING EXPRESSIVE MUSIC PERFORMANCES OF MONOPHONIC JAZZ MELODIES. International Journal on Artificial Intelligence Tools 15:04, pages 673-691.
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Marc Leman & Antonio Camurri. (2016) Understanding musical expressiveness using interactive multimedia platforms. Musicae Scientiae 10:1_suppl, pages 209-233.
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Anders Friberg. (2006) pDM: An Expressive Sequencer with Real-Time Control of the KTH Music-Performance Rules. Computer Music Journal 30:1, pages 37-48.
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Raymond W. Gibbs, Jr. 2012. Embodiment and Cognitive Science. Embodiment and Cognitive Science.
Alf Gabrielsson. (2016) Music Performance Research at the Millennium. Psychology of Music 31:3, pages 221-272.
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D. Rocchesso, R. Bresin & M. Fernstrom. (2003) Sounding objects. IEEE Multimedia 10:2, pages 42-52.
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Vijay Iyer. (2002) Embodied Mind, Situated Cognition, and Expressive Microtiming in African-American Music. Music Perception 19:3, pages 387-414.
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Patrik N. Juslin, Anders Friberg & Roberto Bresin. (2002) Toward a computational model of expression in music performance: The GERM model. Musicae Scientiae 5:1_suppl, pages 63-122.
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