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African Studies Volume 73, 2014 - Issue 3: The Making and Changing of Migrant Workers' Worlds (1800–2014)
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Original Articles

Women, Beadwork and Bodies: The Making and Marking of Migrant Liminality in South Africa, 1850–1950

Anitra NettletonUniversity of the WitwatersrandCorrespondence[email protected]
Pages 341-364 | Received 18 Mar 2014, Accepted 22 Apr 2014, Published online: 06 Nov 2014

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Read on this site (6)

Khaya Mchunu. (2023) Matri-Archive, Creativity, and Beadwork: Toward an Inclusive Design Process. Design and Culture 15:3, pages 367-391.
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Raphael Mudemba, Amon Taruvinga & Leocadia Zhou. (2021) Determinants of adoption of Indigenous Knowledge (IK) based technology in handicrafts among rural women of Amathole, South Africa: A double hurdle model approach. African Journal of Science, Technology, Innovation and Development 13:4, pages 407-414.
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Sifiso Ndlovu. (2020) Material culture in Southern Ndebele identity making in post-apartheid South Africa. Anthropology Southern Africa 43:4, pages 218-232.
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Rowan C. Gatfield. (2019) The isimodeni style: traditional beadwork, Zulu trinket or South African sartorial tradition on Durban’s Golden Mile?. Anthropology Southern Africa 42:2, pages 127-148.
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Brenda Schmahmann. (2017) The Cache Sexe and the Tablier: Two Feminist Artworks from Apartheid South Africa. TEXTILE 15:4, pages 412-427.
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Anitra Nettleton. (2017) Dress and a Fashioned Identity among Black South African Migrant Miners in the Mid-Twentieth Century. Critical Arts 31:3, pages 18-34.
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Articles from other publishers (1)

Steven C. Dubin. (2018) Instant Ancestors: Looking into a Cache of South African Photographic Erratics. African Arts 51:2, pages 70-79.
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