Citations (10)
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Read on this site (5)
Andrew Skinner. (2023) ‘The Stars Know Where He Is’: World-Making, Wayfaring, and Navigational Theory in Southern African |Xam Forager Folklore. Folklore 134:4, pages 462-484.
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J. David Lewis-Williams, David G. Pearce, David M. Witelson & Sam Challis. (2021) The devil’s in the detail: revisiting the ceiling panel at RSA CHI1, Kamberg, KwaZulu-Natal, South Africa. Azania: Archaeological Research in Africa 56:1, pages 34-59.
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Sam Challis. (2019) High and mighty: a San expression of excess potency control in the high-altitude hunting grounds of southern Africa. Time and Mind 12:3, pages 169-185.
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Geoffrey Blundell & Angela Ferreira. (2018) Tusk and transformation in southern African San rock art: an iconographic analysis of WAR2. Azania: Archaeological Research in Africa 53:3, pages 341-368.
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Sven Ouzman. (2001) Seeing is deceiving: Rock art and the non-visual. World Archaeology 33:2, pages 237-256.
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Articles from other publishers (5)
Justin Bradfield, Tim Forssman, Luke Spindler & Annie R. Antonites. (2018) Identifying the animal species used to manufacture bone arrowheads in South Africa. Archaeological and Anthropological Sciences 11:6, pages 2419-2434.
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David Lewis-Williams. 2019. Image-Makers. Image-Makers.
J. David Lewis-Williams & David G. Pearce. (2004) Southern African San Rock Painting as Social Intervention: A Study of Rain-Control Images. African Archaeological Review 21:4, pages 199-228.
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Peter J. Mitchell. (1997) Holocene later stone age hunter-gatherers south of the Limpopo River, Ca. 10,000-2000 B.P.. Journal of World Prehistory 11:4, pages 359-424.
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Sven Ouzman & Lyn Wadley. (2015) A history in paint and stone from Rose Cottage Cave, South Africa. Antiquity 71:272, pages 386-404.
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