Reflections in Armor in the Canon Van De Paele MadonnaFootnote
1. Professor Howard Davis of Columbia University and Professor John McAndrew of Wellesley College have preceded me in the primary observation dealt with in this paper, however, all three of us had the pleasure of making the observation in question independently. Professors Davis and McAndrew have kindly given their consent to the publication of this item by the present writer. My own opportunity to observe the Jan van Eyck image was made possible through the Brussels Art Seminar in 1952 sponsored by the Belgian American Educational Foundation, Inc. I wish to acknowledge the use of photographs of the Archives Centrales Iconographiques d'Art National, Laboratoire Central des Musées de Belgique (Figs. 1, 3, 4), the Metropolitan Museum of Art, New York (Fig. 5), and the Ältere Pinakothek, Munich (Fig. 2).

David G. CarterMetropolitan Museum of Art

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Laurie Schneider. (1985) Mirrors in art. Psychoanalytic Inquiry 5:2, pages 283-324.
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Antoni Ziemba. 2015. Iluzja a realizm. Gra z widzem w sztuce holenderskiej 1580-1660. Iluzja a realizm. Gra z widzem w sztuce holenderskiej 1580-1660.

Antoni Ziemba. 2011. Sztuka Burgundii i Niderlandów 1380-1500. T. II: Niderlandzkie malarstwo tablicowe 1430-1500. Sztuka Burgundii i Niderlandów 1380-1500. T. II: Niderlandzkie malarstwo tablicowe 1430-1500.

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