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* This study was read in a preliminary form as a paper at the Autumn session of the Seminar of Art History of the University of Uppsala. I wish to express my gratitude to my teacher Professor Gregor Paulsson (University of Uppsala) for having given me every assistance in these studies, and to Licentiate Jan-Olof Tjäder (University of Uppsala) and Dom Anselm Strittmatter O.S.B. (Rome) for their valuable help with the interpretation of Giannozzo Manetti's Latin text; to Mr. Francis C. Rosett for having kindly revised the English form of this article; to Professor Axel Boëthius (University of Göteborg) and Licentiate Rudolf Zeitler (University of Uppsala), both of whom have read my manuscript, for their kind and encouraging interest and valuable advice; and to Mrs. Sonna Rosén who has drawn the diagram. I also wish to thank the Swedish Institute in Rome which has given me the requisite setting for writing this article.
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