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* This paper developed out of a section of a Ph.D. dissertation on Francesco Trevisani submitted to the Institute of Fine Arts. New York University, under the guidance of Professor Donald Posner. I would like to express my gratitude to him for his numerous suggestions and for his generous advice. In addition, I would like to thank the Fulbright Commission in Rome for its assistance during the years 1966–68 when I was just beginning my research on the artist.
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