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Australian Geographer Volume 41, 2010 - Issue 1: CREATIVITY IN ‘PERIPHERAL’ PLACES: REDEFINING THE CREATIVE INDUSTRIES
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Original Articles

Indigenous Hip-hop: overcoming marginality, encountering constraints

Andrew Warren University of Wollongong, New South Wales, AustraliaCorrespondence[email protected]
&
Rob Evitt University of Wollongong, New South Wales, Australia
Pages 141-158 | Published online: 18 Feb 2010

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Read on this site (9)

Sudiipta Shamalii Dowsett. (2021) Sampling Ceremony: Hip-hop Workshops and Intergenerational Cultural Production in the Central Australian Desert. The Asia Pacific Journal of Anthropology 22:2-3, pages 184-202.
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Sviatoslav Poliakov, Elena Omelchenko & Albina Garifzyanova. (2020) Holding onto Your Roots: Tatar-Language Rap in Post-Soviet Kazan. Popular Music and Society 43:4, pages 401-413.
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Dianne Rodger. (2019) Forging traditions: continuity and change in the mid 2000s Australian Hip-Hop scene. Ethnomusicology Forum 28:2, pages 217-240.
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Christina Ballico. (2017) Another Typical Day in this Typical Town: place as inspiration for music creation and creative expression. Australian Geographer 48:3, pages 349-363.
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Waldemar Cudny. (2014) Festivals as a subject for geographical research. Geografisk Tidsskrift-Danish Journal of Geography 114:2, pages 132-142.
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Andrew Taylor. (2012) More than Mobile: Migration and Mobility Impacts from the ‘Technologies of Change’ for Aboriginal Communities in the Remote Northern Territory of Australia. Mobilities 7:2, pages 269-294.
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Ben Gallan. (2012) Gatekeeping Night Spaces: the role of booking agents in creating ‘local’ live music venues and scenes. Australian Geographer 43:1, pages 35-50.
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Jennifer Koenig, Jon Altman & AnthonyD. Griffiths. (2011) Indigenous Livelihoods and Art Income: participation, production and returns from woodcarvings in Arnhem Land, north Australia. Australian Geographer 42:4, pages 351-369.
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Chris Gibson, Chris Brennan-Horley & Andrew Warren. (2010) Geographic Information Technologies for cultural research: cultural mapping and the prospects of colliding epistemologies. Cultural Trends 19:4, pages 325-348.
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Articles from other publishers (16)

Vera Shanshan Lin, Yuan Qin, Tianyu Ying, Shujie Shen & Guangming Lyu. (2021) Night-time economy vitality index: Framework and evidence. Tourism Economics 28:3, pages 665-691.
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Bhagyalakshmi Daga. 2022. Rethinking the Music Business. Rethinking the Music Business 131 149 .
Itunu Bodunrin. 2022. Indigenous African Popular Music, Volume 2. Indigenous African Popular Music, Volume 2 343 360 .
Gillian McKay. 2021. Shame 4.0. Shame 4.0 495 509 .
Shanade Bianca Barnabas & Itunu Bodunrin. 2021. Re-imagining Communication in Africa and the Caribbean. Re-imagining Communication in Africa and the Caribbean 157 174 .
Alex de Lacey. (2020) ‘Wot do u call it? Doof doof’: Articulations of glocality in Australian grime music. Global Hip Hop Studies 1:1, pages 115-141.
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Christopher VitoChristopher Vito. 2019. The Values of Independent Hip-Hop in the Post-Golden Era. The Values of Independent Hip-Hop in the Post-Golden Era 1 44 .
Suzi Hutchings & Dianne Rodger. (2018) Reclaiming Australia: Indigenous Hip-Hop group A.B. Original’s use of Twitter. Media International Australia 169:1, pages 84-93.
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Leanne Townsend, Claire Wallace, Gorry Fairhurst & Alistair Anderson. (2017) Broadband and the creative industries in rural Scotland. Journal of Rural Studies 54, pages 451-458.
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Patrick Collins & James A. CunninghamPatrick Collins & James A. Cunningham. 2017. Creative Economies in Peripheral Regions. Creative Economies in Peripheral Regions 109 160 .
Patrick Collins & James A. CunninghamPatrick Collins & James A. Cunningham. 2017. Creative Economies in Peripheral Regions. Creative Economies in Peripheral Regions 1 66 .
Frederick W. GoodingJr.Jr., Matthew BrandelCorbin JounttiAndrew ShadwickBryantee Williams-Bailey. (2016) Think Global, Act Local: How underground hip-hop gets down down Under. AlterNative: An International Journal of Indigenous Peoples 12:5, pages 466-479.
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Alistair R. Anderson, Claire Wallace & Leanne Townsend. (2016) Great Expectations or Small Country Living? Enabling Small Rural Creative Businesses with ICT. Sociologia Ruralis 56:3, pages 450-468.
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Chris Gibson, Chris Brennan-Horley, Beth Laurenson, Naomi Riggs, Andrew Warren, Ben Gallan & Heidi Brown. (2012) Cool places, creative places? Community perceptions of cultural vitality in the suburbs. International Journal of Cultural Studies 15:3, pages 287-302.
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Andrew Warren & Chris Gibson. (2011) Blue-Collar Creativity: Reframing Custom-Car Culture in the Imperilled Industrial City. Environment and Planning A: Economy and Space 43:11, pages 2705-2722.
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Mark Jayne, Chris Gibson, Gordon Waitt & David Bell. (2010) The Cultural Economy of Small Cities. Geography Compass 4:9, pages 1408-1417.
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