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Australian Journal of Psychology Volume 51, 1999 - Issue 3
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Articles

Interdependence of right and left hands in sight-read, written, and rehearsed fingerings of parallel melodic piano music

Richard ParncuttDept of Musicology, Univ. of Graz Motartgasse, Graz, Austria, 38010,
,
John A. SlobodaKeele University
&
Eric F. ClarkeUniversity of Sheffield
Pages 204-210 | Accepted 01 Dec 1999, Published online: 28 Sep 2007

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Elizabeth Gilman & Geoffrey Underwood. (2003) Restricting the field of view to investigate the perceptual spans of pianists. Visual Cognition 10:2, pages 201-232.
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Articles from other publishers (7)

Jinrui Pang, Shan Zhao, Yilin Wang, Qian Wang & Qun Fang. (2023) Piano practice with emphasis on left hand for right handers: Developing pedagogical strategies based on motor control perspectives. Frontiers in Psychology 14.
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Sarah Kim, Jeong Mi Park, Seungyeon Rhyu, Juhan Nam & Kyogu Lee. (2021) Quantitative analysis of piano performance proficiency focusing on difference between hands. PLOS ONE 16:5, pages e0250299.
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Eita Nakamura, Yasuyuki Saito & Kazuyoshi Yoshii. (2020) Statistical learning and estimation of piano fingering. Information Sciences 517, pages 68-85.
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Matteo Balliauw, Dorien Herremans, Daniel Palhazi Cuervo & Kenneth Sörensen. (2015) A variable neighborhood search algorithm to generate piano fingerings for polyphonic sheet music. International Transactions in Operational Research 24:3, pages 509-535.
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Rachel M. Brown, Robert J. Zatorre & Virginia B. Penhune. 2015. Music, Neurology, and Neuroscience: Evolution, the Musical Brain, Medical Conditions, and Therapies. Music, Neurology, and Neuroscience: Evolution, the Musical Brain, Medical Conditions, and Therapies 57 86 .
Alf Gabrielsson. (2016) Music Performance Research at the Millennium. Psychology of Music 31:3, pages 221-272.
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Elizabeth Gilman & Geoffrey Underwood. 2003. The Mind's Eye. The Mind's Eye 177 191 .

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