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The Journal of Genetic Psychology
Research and Theory on Human Development
Volume 89, 1956 - Issue 1
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Original Articles

Synesthesia in Children: Association of Colors with Pure Tone Frequencies

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Pages 95-103 | Published online: 04 Sep 2012

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Read on this site (5)

Julia Simner, Jamie Ward, Monika Lanz, Ashok Jansari, Krist Noonan, Louise Glover & David A. Oakley. (2005) Non-random associations of graphemes to colours in synaesthetic and non-synaesthetic populations. Cognitive Neuropsychology 22:8, pages 1069-1085.
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FRODE SVARTDAL & BARBRO FOSSLAND. (1988) Synestesi. Nordisk Psykologi 40:1, pages 48-63.
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FrankW. Wicker & CaroleK. Holahan. (1978) Analogy Training and Synesthetic Phenomena. The Journal of General Psychology 98:1, pages 113-122.
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C.C. Anderson. (1964) The Psychology of the Metaphor. The Journal of Genetic Psychology 105:1, pages 53-73.
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Articles from other publishers (46)

Charles Spence & Nicola Di Stefano. (2023) Sensory translation between audition and vision. Psychonomic Bulletin & Review.
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Nicola Di Stefano & Charles Spence. (2023) Perceptual Similarity: Insights From Crossmodal Correspondences. Review of Philosophy and Psychology.
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Xianwei Meng, Na Chen, Junya Ishida, Katsumi Watanabe & Taro Murakami. (2023) Crossmodal correspondences between visual features and tastes in preschoolers: an exploratory study. Frontiers in Psychology 14.
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Kenta Miyamoto, Yuma Taniyama, Kyoko Hine & Shigeki Nakauchi. (2023) Congruency of color–sound crossmodal correspondence interacts with color and sound discrimination depending on color category. i-Perception 14:4.
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Placido Sciortino & Christoph Kayser. (2023) Steady state visual evoked potentials reveal a signature of the pitch-size crossmodal association in visual cortex. NeuroImage 273, pages 120093.
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Charles Spence. (2022) Exploring Group Differences in the Crossmodal Correspondences. Multisensory Research 35:6, pages 495-536.
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Giulia Parovel, Marco Prenassi, Walter Coppola, Serena Cattaruzza & Tiziano Agostini. (2022) Synaesthetic Interactions between Sounds and Colour Afterimages: Revisiting Werner and Zietz’s Approach. Gestalt Theory 44:1-2, pages 161-174.
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Charles Spence & Nicola Di Stefano. (2022) Coloured hearing, colour music, colour organs, and the search for perceptually meaningful correspondences between colour and sound. i-Perception 13:3, pages 204166952210928.
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Gebremariam Mesfin, Nadia Hussain, Elahe Kani-Zabihi, Alexandra Covaci, Estêvão B. Saleme & Gheorghita Ghinea. (2020) QoE of cross-modally mapped Mulsemedia: an assessment using eye gaze and heart rate. Multimedia Tools and Applications 79:11-12, pages 7987-8009.
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Yuxuan Qi, Fuxing Huang, Zeyan Li & Xiaoang Wan. (2019) Crossmodal Correspondences in the Sounds of Chinese Instruments. Perception 49:1, pages 81-97.
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Rivka Elkoshi. (2019) When sounds, colors, and shapes meet: Investigating children’s audiovisual art in response to classical music. International Journal of Music Education 37:4, pages 576-592.
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Gebremariam Mesfin, Nadia Hussain, Alexandra Covaci & Gheorghita Ghinea. (2019) Using Eye Tracking and Heart-Rate Activity to Examine Crossmodal Correspondences QoE in Mulsemedia. ACM Transactions on Multimedia Computing, Communications, and Applications 15:2, pages 1-22.
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Kosuke Itoh, Honami Sakata, Hironaka Igarashi & Tsutomu Nakada. (2019) Automaticity of pitch class-color synesthesia as revealed by a Stroop-like effect. Consciousness and Cognition 71, pages 86-91.
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Andrey Anikin & N. Johansson. (2018) Implicit associations between individual properties of color and sound. Attention, Perception, & Psychophysics 81:3, pages 764-777.
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Leonardo Bonetti & Marco Costa. (2017) Musical mode and visual-spatial cross-modal associations in infants and adults. Musicae Scientiae 23:1, pages 50-68.
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Kosuke Itoh & Tsutomu Nakada. (2018) Absolute pitch is not necessary for pitch class-color synesthesia. Consciousness and Cognition 65, pages 169-181.
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Alexandra Covaci, Gebremariam Mesfin, Nadia Hussain, Elahe Kani-Zabihi, Frederic Andres & Gheorghita Ghinea. (2018) A study on the quality of experience of crossmodal mulsemedia. A study on the quality of experience of crossmodal mulsemedia.
Gebremariam Mesfin, Nadia Hussain, Alexandra Covaci & Gheorghita Ghinea. (2018) Inverse and Transitivity of Cross-Modal Correspondence in Mulsemedia. Inverse and Transitivity of Cross-Modal Correspondence in Mulsemedia.
Xiuwen Sun, Xiaoling Li, Lingyu Ji, Feng Han, Huifen Wang, Yang Liu, Yao Chen, Zhiyuan Lou & Zhuoyun Li. (2018) An extended research of crossmodal correspondence between color and sound in psychology and cognitive ergonomics. PeerJ 6, pages e4443.
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KIM EUGENE & 염혜주. (2018) An Empirical Investigation on the Relationship between Pitch-Height and Color: focused on the Disparities in Music Education, Pitch Perception Ability and Gender. journal of Ewha Music Research Institute 22:1, pages 113-143.
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Hyun-Woong Kim, Hosung Nam & Chai-Youn Kim. (2018) [i] is Lighter and More Greenish Than [o]: Intrinsic Association Between Vowel Sounds and Colors. Multisensory Research 31:5, pages 419-437.
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Kosuke Itoh, Honami Sakata, Ingrid L. Kwee & Tsutomu Nakada. (2017) Musical pitch classes have rainbow hues in pitch class-color synesthesia. Scientific Reports 7:1.
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Mi-Jeong Kang, Yeseul Kim, Ji-Young Shin & Chai-Youn Kim. (2017) Graphemes Sharing Phonetic Features Tend to Induce Similar Synesthetic Colors. Frontiers in Psychology 8.
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Giles Hamilton-Fletcher, Christoph Witzel, David Reby & Jamie Ward. (2017) Sound Properties Associated With Equiluminant Colours. Multisensory Research 30:3-5, pages 337-362.
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Giles Hamilton-Fletcher, Thomas D. Wright & Jamie Ward. (2016) Cross-Modal Correspondences Enhance Performance on a Colour-to-Sound Sensory Substitution Device. Multisensory Research 29:4-5, pages 337-363.
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Jamie Ward. 2016. Handbook of Color Psychology. Handbook of Color Psychology 703 714 .
Konstantina Orlandatou. (2015) Sound characteristics which affect attributes of the synaesthetic visual experience. Musicae Scientiae 19:4, pages 389-401.
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Ophelia Deroy & Charles Spence. (2013) Why we are not all synesthetes (not even weakly so). Psychonomic Bulletin & Review 20:4, pages 643-664.
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Ophelia Deroy & Charles Spence. (2013) Are we all born synaesthetic? Examining the neonatal synaesthesia hypothesis. Neuroscience & Biobehavioral Reviews 37:7, pages 1240-1253.
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Stephen E. Palmer, Karen B. Schloss, Zoe Xu & Lilia R. Prado-León. (2013) Music–color associations are mediated by emotion. Proceedings of the National Academy of Sciences 110:22, pages 8836-8841.
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Lenore Block. (2016) Comparative Tone-Colour Responses of College Music Majors with Absolute Pitch and Good Relative Pitch. Psychology of Music 11:2, pages 59-66.
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