Herry DJAHWASİ, Zaharul Lailiddin SAİDON, Pongpat PONGPRADİT & Muchammad Bayu Tejo SAMPURNO. (2023) Interpretation of technical and expression aspects on Mauro Giuliani’s “Grand Overture, Op.61”Interpretation of technical and expression aspects on Mauro Giuliani’s “Grand Overture, Op.61”. Rast Müzikoloji Dergisi 11:4, pages 563-587.
Crossref
Muhammed CANBULUT & Hasan Hakan OKAY. (2021) Gitarda Sol Elde Parmak Numarası Kullanımı Hakkında Müzik Öğretmeni Adaylarının GörüşleriThe Opinions of Music Teacher Candidates about The Use of Finger Numbers on The Left Hand in Guitar Playing. Güzel Sanatlar Enstitüsü Dergisi 27:46, pages 153-167.
Crossref
Stijn Verwulgen, Sofia Scataglini, Thomas Peeters, Emilie Van Campenhout, Stijn Verheyen & Steven Truijen. 2020. Human Interaction and Emerging Technologies. Human Interaction and Emerging Technologies
130
135
.
Alfonso Perez-Carrillo. (2019) Finger-String Interaction Analysis in Guitar Playing With Optical Motion Capture. Frontiers in Computer Science 1.
Crossref
Marcelline Dechenaud, Daniel Laidig, Thomas Seel, Hunter B. Gilbert & Nikita A. Kuznetsov. (2019) Development of Adapted Guitar to Improve Motor Function After Stroke: Feasibility Study in Young Adults. Development of Adapted Guitar to Improve Motor Function After Stroke: Feasibility Study in Young Adults.
Eefje G.J. Roelofsen, Derrick D. Brown, Maria W.G. Nijhuis-van der Sanden, J. Bart Staal & Ruud G.J. Meulenbroek. (2018) Does motor expertise facilitate amplitude differentiation of lower limb-movements in an asymmetrical bipedal coordination task?. Human Movement Science 59, pages 201-211.
Crossref
Gregory Burlet & Abram Hindle. (2017) Isolated guitar transcription using a deep belief network. PeerJ Computer Science 3, pages e109.
Crossref
Joao Victor Ramos, Andre Stylianos Ramos, Carlos N. Silla & Danilo Sipoli Sanches. (2016) An Evaluation of Different Evolutionary Approaches Applied in the Process of Automatic Transcription of Music Scores into Tablatures. An Evaluation of Different Evolutionary Approaches Applied in the Process of Automatic Transcription of Music Scores into Tablatures.
Alfonso Perez-Carrillo, Josep-Lluis Arcos & Marcelo Wanderley. 2016. Music, Mind, and Embodiment. Music, Mind, and Embodiment
71
87
.
Joao Victor Ramos, Andre Stylianos Ramos, Carlos N. Silla & Danilo Sipoli Sanches. (2015) Comparative Study of Genetic Algorithm and Ant Colony Optimization Algorithm Performances for the Task of Guitar Tablature Transcription. Comparative Study of Genetic Algorithm and Ant Colony Optimization Algorithm Performances for the Task of Guitar Tablature Transcription.
Michael Wininger & David J Williams. (2015) More with less. Prosthetics & Orthotics International 39:3, pages 238-243.
Crossref
Yuanfeng Zhu, Ajay Sundar Ramakrishnan, Bernd Hamann & Michael Neff. (2012) A system for automatic animation of piano performances. Computer Animation and Virtual Worlds 24:5, pages 445-457.
Crossref
M. Hori, M. Hosono, H. Takahashi, K. Matsumoto & I. Shimoyama. (2013) 3-Axis fingertip force during playing the string instrument. 3-Axis fingertip force during playing the string instrument.
Josep Lluis Arcos, Enric Guaus & Tan H. Ozaslan. (2013) Analyzing musical expressivity with a soft computing approach. Fuzzy Sets and Systems 214, pages 65-74.
Crossref
Ramon Lopez de Mantaras & Josep Lluís Arcos. (2012) 2011 Robert S. Engelmore Memorial Lecture Award: Playing with Cases: Rendering Expressive Music with Case‐Based Reasoning. AI Magazine 33:4, pages 22-32.
Crossref
Shih-Chuan Chiu & Min-Syan Chen. (2012) A Study on Difficulty Level Recognition of Piano Sheet Music. A Study on Difficulty Level Recognition of Piano Sheet Music.
Francis Dubé, Ursula Stuber, Mathieu Boucher, Marie-Claude Dumoulin, Christian Martin & Malinalli Peral Garcia. (2011) Représentations d’attitudes posturales saines de professeurs de piano enseignant à des élèves du précollégial : étude exploratoireRepresentations of Healthy Posture and Positioning Used by Piano Teachers in their Pedagogical Interactions with Pre-College Level Students: An Exploratory Study. Les Cahiers de la Société québécoise de recherche en musique 12:1-2, pages 103.
Crossref
Tan Hakan Özaslan, Enric Guaus, Eric Palacios & Josep Lluis Arcos. 2011. Exploring Music Contents. Exploring Music Contents
219
241
.
. 2010. Human Motor Control. Human Motor Control
425
465
.
Leandro L. Costalonga, Rosa M. Vicari & Evandro M. Miletto. (2008) Agent-based guitar performance simulation. Journal of the Brazilian Computer Society 14:3, pages 19-29.
Crossref
Daniele P. Radicioni & Vincenzo Lombardo. (2007) A Constraint-based Approach for Annotating Music Scores with Gestural Information. Constraints 12:4, pages 405-428.
Crossref
D.R. Tuohy & W.D. Potter. (2006) GA-based Music Arranging for Guitar. GA-based Music Arranging for Guitar.
Daniel R. Tuohy & W. D. Potter. 2006. Advances in Applied Artificial Intelligence. Advances in Applied Artificial Intelligence
244
253
.
Daniele Radicioni & Vincenzo Lombardo. 2005. AI*IA 2005: Advances in Artificial Intelligence. AI*IA 2005: Advances in Artificial Intelligence
470
473
.
Masanobu Miura, Isao Hirota, Nobuhiko Hama & Masazo Yanagida. (2004) Constructing a system for finger‐position determination and tablature generation for playing melodies on guitars. Systems and Computers in Japan 35:6, pages 10-19.
Crossref