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The Journal of Psychology
Interdisciplinary and Applied
Volume 10, 1940 - Issue 1
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Original Articles

Musical “Micro-scales” and “Micro-melodies”

Heinz Werner Wayne County Training School
Pages 149-156 | Received 23 Feb 1940, Published online: 02 Jul 2010

Citations (11)

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G.M. Gilbert. (1942) Sex Differences In Musical Aptitude and Training. The Journal of General Psychology 26:1, pages 19-33.
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Articles from other publishers (10)

Joseph Glick. (2013) Recovering the organismic: Werner and Kaplan’s “symbol formation” 50 years later. Culture & Psychology 19:4, pages 441-452.
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Robert S. Siegler. 2007. Handbook of Child Psychology. Handbook of Child Psychology.
Ingrid E. Josephs. (2016) A psychological analysis of a psychological phenomenon: the dialogical construction of meaning. Social Science Information 39:1, pages 115-129.
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Richard Parncutt & Annabel J. Cohen. (1995) Identification of microtonal melodies: Effects of scale-step size, serial order, and training. Perception & Psychophysics 57:6, pages 835-846.
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Anthony J. Watkins. (1985) Scale, key, and contour in the discrimination of tuned and mistuned approximations to melody. Perception & Psychophysics 37:4, pages 275-285.
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Joel Funk & John Whiteside. (2016) Developmental Theory and the Psychology of Music. Psychology of Music 9:2, pages 44-53.
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David S. Levi. (2016) Expressive Qualities in Music Perception and Music Education. Journal of Research in Music Education 26:4, pages 425-435.
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William Robert Swaffield. (2016) Effect of Melodic Parameters on Ability to Make Fine-Tuning Responses in Context. Journal of Research in Music Education 22:4, pages 305-312.
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Thomas G. Bever & Robert J. Chiarello. (1974) Cerebral Dominance in Musicians and Nonmusicians. Science 185:4150, pages 537-539.
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Karl Pribram. (2007) On the neurology of thinking. Behavioral Science 4:4, pages 265-287.
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