Citations (52)
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Aishika Chakraborty. (2023) Calcutta cabaret: dance of pleasure or perversion?. South Asian History and Culture 14:2, pages 167-185.
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Nataliya Braun & Yasuhiro Kotera. (2022) Influence of Dance on Embodied Self-Awareness and Well-Being: An Interpretative Phenomenological Exploration. Journal of Creativity in Mental Health 17:4, pages 469-484.
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Makau Kitata. (2020) Sexualising the performance, objectifying the performer: The twerk dance in Kenya. Agenda 34:3, pages 11-21.
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Vikram Kapoor, Maurice Patterson & Lisa O’Malley. (2020) Liminal consumption of “the cosmic ballet”: an autoethnography. Consumption Markets & Culture 23:1, pages 61-80.
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Maren T. Scull. (2015) The Self-Concept as a Side Bet: How Stripping Enhances the Self-Views of Men who Dance for Women. Deviant Behavior 36:11, pages 890-909.
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Sim Butler, Richard Mocarski, Betsy Emmons & Rachael Smallwood. (2014) Leaving it on the pitch: Hope Solo's negotiation of conflicting gender roles on Dancing with the Stars. Journal of Gender Studies 23:4, pages 362-375.
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James K. Beggan & Allison Scott Pruitt. (2014) Leading, following and sexism in social dance: change of meaning as contained secondary adjustments. Leisure Studies 33:5, pages 508-532.
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KellyA. Dorgan, SadieP. Hutson, KathrynL. Duvall, AmberE. Kinser & JoanneM. Hall. (2014) Connecting Place to Disease and Gender: Cohabitating Morbidities in Narratives of Women Cancer Survivors in Southern Central Appalachia. Women's Studies in Communication 37:3, pages 292-312.
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