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Original Articles

The rise of a spontaneous synthesis: the historical background of Turkish popular music

Pages 194-215 | Published online: 06 Dec 2006

Keep up to date with the latest research on this topic with citation updates for this article.

Read on this site (8)

Ozan Baysal. (2018) Reconsidering “Anadolu Pop”. Rock Music Studies 5:3, pages 205-219.
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Spencer Hawkins. (2018) Queerly Turkish: Queer Masculinity and National Belonging in the Image of Zeki Müren. Popular Music and Society 41:2, pages 99-118.
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Banu Senay. (2014) The Fall and Rise of the Ney: From the Sufi Lodge to the World Stage. Ethnomusicology Forum 23:3, pages 405-424.
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Betül Yarar. (2008) POLITICS OF/AND POPULAR MUSIC. Cultural Studies 22:1, pages 35-79.
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Ayhan Akman. (2004) Modernist nationalism: statism and national identity in Turkey. Nationalities Papers 32:1, pages 23-51.
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Risto Pekka Pennanen. (1997) The development of chordal harmony in Greek rebetika and laika music, 1930s to 1960s. British Journal of Ethnomusicology 6:1, pages 65-116.
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Articles from other publishers (20)

Audrey M. Wozniak. 2024. Music and Cultural Diplomacy in the Middle East. Music and Cultural Diplomacy in the Middle East 93 121 .
Dilara TURAN & Belma OĞUL. (2023) The Yeni Müzik Scene in Türkiye: How did the ‘New Music’ Discourse Change Local Contemporary Music Practice?. Musicologist 7:1, pages 49-77.
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Serkan ŞENER, Belma OĞUL & Robert REİGLE. (2022) Re-Evaluating the Roots of Arabesk Music: Grup Metronom. Musicologist 6:2, pages 169-209.
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Filiz Başkan, Ünsal Doğan Başkır, Erdinç Erdem & Funda Sarıcı. (2021) A music for all times: Arabesk as a nostalgic commodity for New Turkey’s entertainment industry. European Journal of Cultural Studies 25:2, pages 498-514.
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Yaprak Melike UYAR. (2021) Turkish Disco: The Intersection of Anatolian Pop, Groove and Psychedelia. Musicologist 5:2, pages 107-132.
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Banu Senay. (2020) “We Aren’t that type of Muslim”: exploring Islam and music-making in Istanbul. Contemporary Islam 14:3, pages 269-288.
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Özlem Şahin Soy & Merve Şenol. 2020. Opera in Translation. Opera in Translation 271 287 .
Federica NARDELLA. (2020) The Late Ottoman Şarkı and the Interweaving of Registers: Towards an Ideology of Song. Musicologist 4:1, pages 1-33.
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Tom Parkinson. (2017) ‘Indiestanbul’: counter-hegemonic music and third republicanism in Turkey. Popular Music 37:1, pages 40-62.
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Banu Senay. (2015) Masterful words: musicianship and ethics in learning the ney . Journal of the Royal Anthropological Institute 21:3, pages 524-541.
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Banu Senay. (2014) Artists, antagonisms and the ney in the popularization of ?Sufi Music? in Turkey . European Journal of Cultural Studies 18:1, pages 52-69.
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Christopher Houston. (2014) Ankara, Tehran, Baghdad. Thesis Eleven 121:1, pages 57-75.
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Türkay Salim Nefes. (2013) Ziya Gökalp’s adaptation of Emile Durkheim’s sociology in his formulation of the modern Turkish nation. International Sociology 28:3, pages 335-350.
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Christopher Houston. (2013) Anthropology, autonomy and the art of cultural revolution. Anthropological Theory 12:3, pages 252-270.
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Arzu Öztürkmen. 2012. A Companion to Folklore. A Companion to Folklore 305 324 .
Ayhan Erol. (2012) Music, power and symbolic violence: The Turkish state’s music policies during the early republican period. European Journal of Cultural Studies 15:1, pages 35-52.
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E. Taçlı Yazıcıoğlu. (2010) Contesting the Global Consumption Ethos: Reterritorialization of Rock in Turkey. Journal of Macromarketing 30:3, pages 238-253.
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Volkan Aytar & Azer Keskin. (2003) Constructions of Spaces of Music in Istanbul: Scuffling and Intermingling Sounds in a Fragmented MetropolisConstructions d'espaces musicaux à Istanbul: sons désordonnés et entremêlés dans une métropole fragmentée. Géocarrefour 78:2, pages 147-157.
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Christopher Houston. (2016) Legislating Virtue, or Fear and Loathing in Istanbul?. Critique of Anthropology 22:4, pages 425-444.
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Christopher Houston. (2016) The Brewing of Islamist Modernity. Theory, Culture & Society 18:6, pages 77-97.
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