Citations (32)
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Read on this site (27)
Noah Franken & Trudy L. Hanson. (2022) Illusion of life in Bob Dylan’s “murder most foul”. Popular Communication 20:2, pages 105-116.
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Lottie Elizabeth Johnson, Scott Haden Church & Quint Randle. (2021) (In)congruities between Political Messages and Popular Music: An Analysis of Campaign Songs in U.S. Presidential Elections. Communication Studies 72:4, pages 769-783.
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Dana L. Cloud & Kathleen Eaton Feyh. (2015) Reason in Revolt: Emotional Fidelity and Working Class Standpoint in the “Internationale”. Rhetoric Society Quarterly 45:4, pages 300-323.
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LisaM. Chuang & JohnP. Hart. (2008) Suburban American Punks and the Musical Rhetoric of Green Day's “Jesus of Suburbia”. Communication Studies 59:3, pages 183-201.
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KimL. Purnell. (2002) Listening to Lady Day: An exploration of the creative (re)negotiation of identity revealed in the life narratives and music lyrics of Billie Holiday. Communication Quarterly 50:3-4, pages 444-466.
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Deanna Sellnow & Timothy Sellnow. (2001) The "Illusion of Life" rhetorical perspective: an integrated approach to the study of music as communication. Critical Studies in Media Communication 18:4, pages 395-415.
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Theodore Matula. (2000) Contextualizing musical rhetoric: A critical reading of the pixies' “Rock Music”. Communication Studies 51:3, pages 218-237.
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DeannaD. Sellnow. (1999) Music as Persuasion: Refuting Hegemonic Masculinity in “He Thinks He'll Keep Her”. Women's Studies in Communication 22:1, pages 66-84.
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DavidL. Palmer. (1998) Virtuosity as rhetoric: Agency and transformation in Paganini's mastery of the violin. Quarterly Journal of Speech 84:3, pages 341-357.
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KerranL. Sanger. (1997) Functions of freedom singing in the civil rights movement: The activists' implicit rhetorical theory. Howard Journal of Communications 8:2, pages 179-195.
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Paula Wilson. (1996) The rhythm of rhetoric: Jesse Jackson at the 1988 democratic national convention. Southern Communication Journal 61:3, pages 253-264.
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Mark Meister. (1996) Drama and tragedy in contemporary folk music: Nanci Griffith's “it's a hard life wherever you go”. Communication Studies 47:1-2, pages 62-71.
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DeannaD. Sellnow. (1996) Rhetorical strategies of continuity and change in the music of popular artists over time. Communication Studies 47:1-2, pages 46-61.
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Joe Gow. (1994) >Political themes in popular music videos: MTV's “Top 200, Ever”. Popular Music and Society 18:4, pages 77-89.
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Karen Rasmussen. (1994) Transcendence in Leonard Bernstein's Kaddish symphony
. Quarterly Journal of Speech 80:2, pages 150-173.
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DeannaD. Sellnow & TimothyL. Sellnow. (1993) John Corigliano's “Symphony No. 1” as a communicative medium for the AIDS crisis. Communication Studies 44:2, pages 87-101.
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StephenA. Kent. (1993) Radical rhetoric and mystical religion in America's late Vietnam war era. Religion 23:1, pages 45-60.
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CharlesJ. Stewart. (1991) The ego function of protest songs: An application of Gregg's theory of protest rhetoric. Communication Studies 42:3, pages 240-253.
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ThomasO. Beebee. (1991) Ballad of the apocalypse: Another look at Bob Dylan's “hard rain”. Text and Performance Quarterly 11:1, pages 18-34.
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Susan Mackey‐Kallis. (1990) “How long to sing this song?” The rhetorical vision of U2's “Holy” community. Popular Music and Society 14:3, pages 51-58.
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Charles Conrad. (1988) Work songs, hegemony, and illusions of self. Critical Studies in Mass Communication 5:3, pages 179-201.
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JohnJ. Makay & Alberto Gonzalez. (1987) Dylan's biographical rhetoric and the myth of the outlaw‐hero. Southern Speech Communication Journal 52:2, pages 165-180.
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JamesW. Chesebro. (1986) Critical response and reply. Critical Studies in Mass Communication 3:2, pages 256-260.
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IrvingJ. Rein & CraigM. Springer. (1986) Critical response and reply. Critical Studies in Mass Communication 3:2, pages 252-256.
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Carl
Bryan Holmberg. (1985) Toward the rhetoric of music: Dixie. Southern Speech Communication Journal 51:1, pages 71-82.
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JamesW. Chesebro, DavisA. Foulger, JayE. Naghman & Andrew Yannelli. (1985) Popular music as a mode of communication, 1955–1982. Critical Studies in Mass Communication 2:2, pages 115-135.
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CarlB. Holmberg. (1984) On the rhetoric of popular song: “Y'ain't juzz whizzlin’ ‘dixie’ “. Popular Music and Society 9:4, pages 27-33.
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Articles from other publishers (5)
Wen-Yi Huang & Wen-yu Chiang. (2018) The kaleidoscope of divine images. Cognitive Linguistic Studies 5:1, pages 155-187.
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Roberto Avant-Mier. (2014) The Case of/for Communication (What Does It Mean to Study Popular Music?). Journal of Popular Music Studies 26:1, pages 4-13.
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Arnold S. WolfeMike LoyPhil Chidester. (2009) Mass Communication and Identity Construction: Theory and a Case Study of Song-Recordings by a Popular Musician. Journalism & Communication Monographs 11:1, pages 67-113.
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Stephen King & Richard J. Jensen. (2004) Bob Marley's “Redemption Song”: The Rhetoric of Reggae and Rastafari. The Journal of Popular Culture 29:3, pages 17-36.
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Gilbert B. Rodman. (2006) Everyday I Write the Book: A Bibliography of (Mostly) Academic Work on Rock & Pop Music. Journal of Popular Music Studies 2:2, pages 17-50.
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