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Quarterly Journal of Speech Volume 80, 1994 - Issue 1
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Framing Kenneth Burke: Sad tragedy or comic dance?

Celeste Condit Associate Professor of Speech Communication, University of Georgia,
Pages 77-82 | Published online: 05 Jun 2009

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Kyle Jensen & Krista Ratcliffe. (2018) Mythic Historiography: Refiguring Kenneth Burke’s Deceitful Woman Trope. Rhetoric Society Quarterly 48:1, pages 88-107.
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MichaelL. Butterworth. (2013) The Passion of the Tebow: Sports Media and Heroic Language in the Tragic Frame. Critical Studies in Media Communication 30:1, pages 17-33.
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MatthewM. Foy. (2012) Disrupting the Scapegoat Mechanism: Steve Barber Versus University of Virginia's College at Wise. Southern Communication Journal 77:2, pages 94-110.
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Jodie Nicotra. (2009) Dancing Attitudes in Wartime: Kenneth Burke and General Semantics. Rhetoric Society Quarterly 39:4, pages 331-352.
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John Lynch. (2008) Geography, Genealogy and Genetics: Dialectical Substance in Newspaper Coverage of Research on Race and Genetics. Western Journal of Communication 72:3, pages 259-279.
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EdwardC. Appel. (2008) “Tragedy-lite” or “Melodrama”? In Search of a Standard Generic Tag. Southern Communication Journal 73:2, pages 178-194.
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John Lynch & Tasha Dubriwny. (2006) Drugs and Double Binds: Racial Identification and Pharmacogenomics in a System of Binary Race Logic. Health Communication 19:1, pages 61-73.
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RichardA. Engnell. (1998) Materiality, symbolicity, and the rhetoric of order: “Dialectical biologism” as motive in burke. Western Journal of Communication 62:1, pages 1-25.
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Susan Schultz Huxman. (1997) The tragi‐comic rhetorical “dance” of marginalized groups: The case of Mennonites in the great war. Southern Communication Journal 62:4, pages 305-318.
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KennethS. Zagacki. (1996) Vaclav Havel and the rhetoric of folly. Southern Communication Journal 62:1, pages 17-30.
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PhillipK. Tompkins. (1995) A note on burke, Goethe and the Jews. Quarterly Journal of Speech 81:4, pages 507-510.
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KimberlyA. Powell. (1995) The association of southern women for the prevention of lynching: Strategies of a movement in the comic frame. Communication Quarterly 43:1, pages 86-99.
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