Citations (21)
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Read on this site (10)
Darren J. Valenta. (2021) Laughing at pink ribbon culture: Tig Notaro’s comedic subversion of the she-ro. Text and Performance Quarterly 41:1-2, pages 140-156.
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Kristen E. Hoerl & Casey R. Kelly. (2021) Embodied abject play: women “sex comics” and abject feminism. Text and Performance Quarterly 41:1-2, pages 123-139.
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S. Katherine Cooper. (2019) Breaking the Crass Ceiling? Performing Irony and White Femininity in Amy Schumer’s Mostly Sex Stuff Stand-Up. Sociological Focus 52:3, pages 201-215.
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Ellie Tomsett. (2018) Positives and negatives: reclaiming the female body and self-deprecation in stand-up comedy. Comedy Studies 9:1, pages 6-18.
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Meg Tully. (2017) “Clear Eyes, Full Hearts, Don’t Rape”: Subverting Postfeminist Logics on Inside Amy Schumer. Women's Studies in Communication 40:4, pages 339-358.
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Sharon Lockyer. (2015) From comedy targets to comedy-makers: disability and comedy in live performance. Disability & Society 30:9, pages 1397-1412.
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Ian Reilly. (2015) The comedian, the cat, and the activist: the politics of light seriousness and the (un)serious work of contemporary laughter. Comedy Studies 6:1, pages 49-62.
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Eric Shouse & Patrice Oppliger. (2012) Sarah is magic: The (post-gendered?) comedy of Sarah Silverman. Comedy Studies 3:2, pages 201-216.
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Susan Pelle. (2010) The “Grotesque” Pussy: “Transformational Shame” in Margaret Cho's Stand-up Performances. Text and Performance Quarterly 30:1, pages 21-37.
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Nikolena Nocheva. Framing Action Through Participatory Theater: What Can We (Mis)understand for Global Crises?. Communication Studies 0:0, pages 1-19.
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Articles from other publishers (11)
Jaslyn Robertson. 2022. A Century of Composition by Women. A Century of Composition by Women
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Sonja Noderer. (2020) No Laughing Matter? The Potential of Political Humor as a Means of Nonviolent Resistance. Zeitschrift für Friedens- und Konfliktforschung 9:2, pages 255-277.
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Sharon Lockyer. 2020. The International Encyclopedia of Gender, Media, and Communication. The International Encyclopedia of Gender, Media, and Communication
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Adam Carter. (2019) ‘Essex girls’ in the comedy club: Stand-up, ridicule and ‘value struggles’. European Journal of Cultural Studies 22:5-6, pages 763-780.
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Laura Vitis & Fairleigh Gilmour. (2016) Dick pics on blast: A woman’s resistance to online sexual harassment using humour, art and Instagram. Crime, Media, Culture: An International Journal 13:3, pages 335-355.
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Beth Innocenti & Elizabeth Miller. (2016) The Persuasive Force of Political Humor. Journal of Communication 66:3, pages 366-385.
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Mario Liong. 2015. Laughter, Humor, and the (Un)Making of Gender. Laughter, Humor, and the (Un)Making of Gender
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Caroline Henchoz. (2013) De l’humour féminin comme d’une compétence sociale pour gérer et contester les rapports de pouvoir et les inégalités dans le couple. Recherches féministes 25:2, pages 83-102.
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Elizabeth Vogel. (2011) “I don't know why I joke. I hurt”: Pain, Humor, and Second-Person Narration in Lorrie Moore's “How to Be an Other Woman”. Studies in American Humor 24, pages 71-82.
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Charles E. Case & Cameron D. Lippard. (2009) Humorous Assaults on Patriarchal Ideology*. Sociological Inquiry 79:2, pages 240-255.
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Zoe Parker. (2011) Standing up for the nation: An investigation of stand-up comedy in South Africa post-1994 with specific reference to women's power and the body. South African Theatre Journal 16:1, pages 8-29.
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