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Original Articles

“Let us have our libertie againe”: Amelia Lanier's 17th‐century feminist voice

Pages 331-348 | Published online: 12 Jul 2010

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Read on this site (1)

Lucy Busfield. (2015) Gender and the spectacle of the Cross: Aemilia Lanyer in context. Reformation & Renaissance Review 17:2, pages 129-141.
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Articles from other publishers (10)

Pamela Joseph Benson. 2020. The Palgrave Encyclopedia of Early Modern Women's Writing. The Palgrave Encyclopedia of Early Modern Women's Writing 1 13 .
Pamela Joseph Benson. 2020. The Palgrave Encyclopedia of Early Modern Women's Writing. The Palgrave Encyclopedia of Early Modern Women's Writing 1 13 .
Sarah Lewis. 2020. Time and Gender on the Shakespearean Stage. Time and Gender on the Shakespearean Stage.
Lisa J. Schnell. 2012. The Encyclopedia of English Renaissance Literature. The Encyclopedia of English Renaissance Literature.
Yasmin Arshad. (2010) Aemilia Lanyer and Shakespeare's Helena. Opticon1826:9.
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Gary Kuchar. 2009. The Poetry of Religious Sorrow in Early Modern England. The Poetry of Religious Sorrow in Early Modern England 124 150 .
Erica Longfellow. 2009. Women and Religious Writing in Early Modern England. Women and Religious Writing in Early Modern England.
Susanne Woods. 2002. A Companion to Early Modern Women's Writing. A Companion to Early Modern Women's Writing 125 135 .
Marie H. Loughlin. (2018) “Fast ti'd unto them in a golden Chaine”: Typology, Apocalypse, and Woman's Genealogy in Aemilia Lanyer's Salve Deus Rex Judaeorum. Renaissance Quarterly 53:1, pages 133-179.
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Brenda J. Powell. (2016) “Witnesse Thy Wife (O Pilate ) Speakes for All”: Aemilia Lanyer's Strategic Self-Positioning . Christianity & Literature 46:1, pages 5-23.
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