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Women's Studies
An inter-disciplinary journal
Volume 23, 1994 - Issue 1
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Original Articles

“Movin’ closer to an independent funk”: Black Feminist Theory, Standpoint, and Women in Rap

Pages 35-55 | Published online: 12 Jul 2010

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Read on this site (7)

Paul Ayodele Onanuga & Ayobami Olajumoke Onanuga. (2024) Talking back: linguistic exploration of female artistes’ ‘responses’ to patriarchy and stereotypes in Nigerian hip-hop. Journal of Contemporary African Studies 42:1, pages 37-58.
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Meenakshi Gigi Durham. (2020) Subaltern voices and postcolonial schizophrenia: The political tensions of M.I.A.’s Kala. Journal of International and Intercultural Communication 13:2, pages 151-165.
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Valerie Chepp. (2015) Black Feminism and Third-Wave Women's Rap: A Content Analysis, 1996–2003. Popular Music and Society 38:5, pages 545-564.
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Kareem R. Muhammad. (2015) Everyday people: public identities in contemporary hip-hop culture. Social Identities 21:5, pages 425-443.
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Vonda Powell. (2011) A social identity framework of American hip-hop cultural performance. Social Identities 17:4, pages 459-476.
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LesterC. Olson. (1998) Liabilities of language: Audre Lorde reclaiming difference. Quarterly Journal of Speech 84:4, pages 448-470.
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Articles from other publishers (7)

Adam Cohen & Khalid Ballouli. (2016) Exploring the cultural intersection of music, sport and physical activity among at-risk youth. International Review for the Sociology of Sport 53:3, pages 350-370.
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Bonnie J. Siple, Rodney K. Hopson, Helen C. Sobehart & Paula Sammarone Turocy. (2018) Factors that Impede and Promote the Persistence of Black Women in Athletic Training Programs. Athletic Training Education Journal 13:2, pages 131-147.
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Valerie Chepp. (2015) Black feminist theory and the politics of irreverence: The case of women's rap. Feminist Theory 16:2, pages 207-226.
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Bonnie J. Siple, Rodney K. Hopson, Helen C. Sobehart & Paula S. Turocy. (2015) Who Should Mentor Me? Giving a Voice to Black Women Athletic Training Students. Athletic Training Education Journal 10:2, pages 146-158.
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Guillermo Rebollo‐Gil & Amanda Moras. (2012) Black Women and Black Men in Hip Hop Music: Misogyny, Violence and the Negotiation of (White‐Owned) Space. The Journal of Popular Culture 45:1, pages 118-132.
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Margaret Hunter. (2011) Shake it, Baby, Shake it: Consumption and the New Gender Relation in Hip-Hop. Sociological Perspectives 54:1, pages 15-36.
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Ronald WeitzerCharis E. Kubrin. (2009) Misogyny in Rap Music. Men and Masculinities 12:1, pages 3-29.
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