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Articles

The postcolonial route of WeChat: technological mimicry, excess, and orientalism

Pages 448-461 | Received 15 Jul 2020, Accepted 10 May 2022, Published online: 03 Sep 2022

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Mark Kretzschmar & Mel Stanfill. (2024) The politics of credit in remix of Japanese popular culture: Between “an 80's Japanese disco floor” and “this remix is worthy of the actual game”. International Journal of Cultural Studies.
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Fan Yang. (2023) Affective News, Affective Labor: Chinese Female “Little Editors” of WeChat Official Accounts in Australia. Social Media + Society 9:3.
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