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The Conservator Volume 28, 2004 - Issue 1
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Original Articles

Post minimal intervention

Caroline Villers Department of Conservation and Technology, Courtauld Institute of Art, Somerset House, Strand, London, WC2R ORN, UK Phone: 0207 848 2196/2191
Pages 3-10 | Published online: 17 Sep 2010

Citations (24)

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C. Sakellariou, D. Makris & L. Karampinis. (2023) A Digital Study of the Morphological and Stability Issues of a Delicate Wax-based Artwork. Studies in Conservation 68:4, pages 474-489.
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Irit Narkiss. (2022) Decolonising Museum Conservation Practice: A View from the UK. Studies in Conservation 67:sup1, pages 183-191.
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Hélia Marçal. (2022) Becoming Difference: On the Ethics of Conserving the In-Between. Studies in Conservation 67:1-2, pages 30-37.
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Eleanor Sweetnam & Jane Henderson. (2022) Disruptive Conservation: Challenging Conservation Orthodoxy. Studies in Conservation 67:1-2, pages 63-71.
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Torgeir Rinke Bangstad. (2021) Pollution and permanence: museum repair in toxic worlds. Museums & Social Issues 15:1-2, pages 13-27.
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Zoë Miller. (2021) Practitioner (In)visibility in the Conservation of Contemporary Art. Journal of the American Institute for Conservation 60:2-3, pages 197-209.
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Yan Zhang & Wei Dong. (2021) Determining Minimum Intervention in the Preservation of Heritage Buildings. International Journal of Architectural Heritage 15:5, pages 698-712.
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Christina Spaarschuh & Hanne Moltubakk Kempton. (2020) Acting on Behalf of Objects? Conservators’ Reflections on Their Professional Role. Studies in Conservation 65:6, pages 358-374.
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Deena Engel & Joanna Phillips. (2019) Applying conservation ethics to the examination and treatment of software- and computer-based art. Journal of the American Institute for Conservation 58:3, pages 180-195.
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Mary M. Brooks. (2012) Seeing the sacred conflicting priorities in defining, interpreting, and conserving western sacred artifacts. Material Religion 8:1, pages 10-28.
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Kim Muir. (2009) Approaches to the reintegration of paint loss: theory and practice in the conservation of easel paintings. Studies in Conservation 54:sup1, pages 19-28.
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Isabelle Brajer. (2008) VALUES AND OPINIONS OF THE GENERAL PUBLIC ON WALL PAINTINGS AND THEIR RESTORATION: A PRELIMINARY STUDY. Studies in Conservation 53:sup1, pages 33-38.
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Siobhan Watts, Dave Abbott, David Crombie, Angus Gunn & Annemarie La Pensée. (2008) SCIENCE REVEALED: THE HIDDEN STORY OF OBJECTS. Studies in Conservation 53:sup1, pages 146-150.
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Elizabeth Pye & Dean Sully. (2007) Evolving challenges, developing skills. The Conservator 30:1, pages 19-37.
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Pippa Cruickshank, Hélène Delaunay & Lynne Harrison. (2007) Painted textiles and canvas paintings: A collaborative approach to lining and mounting. The Conservator 30:1, pages 5-18.
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Mary M. Brooks & Dinah Eastop. (2006) Matter Out of Place:Paradigms for Analyzing Textile Cleaning. Journal of the American Institute for Conservation 45:3, pages 171-181.
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Articles from other publishers (8)

Rita Macedo. 2024. Conservation of Contemporary Art. Conservation of Contemporary Art 147 162 .
Brian Castriota. 2024. Conservation of Contemporary Art. Conservation of Contemporary Art 59 86 .
Jérôme Denis, Cornelia Hummel & David Pontille. (2022) Getting attached to a classic Mustang. Use, maintenance and the burden of authenticity. Journal of Material Culture 27:3, pages 259-279.
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Oleksandr Nechyporchuk, Krzysztof Kolman, Alexandra Bridarolli, Marianne Odlyha, Laurent Bozec, Marta Oriola, Gema Campo-Francés, Michael Persson, Krister Holmberg & Romain Bordes. (2018) On the potential of using nanocellulose for consolidation of painting canvases. Carbohydrate Polymers 194, pages 161-169.
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Oleksandr Nechyporchuk, Krzysztof Kolman, Marta Oriola, Michael Persson, Krister Holmberg & Romain Bordes. (2017) Accelerated ageing of cotton canvas as a model for further consolidation practices. Journal of Cultural Heritage 28, pages 183-187.
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. (2014) Conservation in Museums and Inclusion of the Non-Professional. Journal of Conservation and Museum Studies 12:1, pages 6.
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. (2013) The Phoenix: The Role of Conservation Ethics in the Development of St Pancras Railway Station (London, UK). Journal of Conservation and Museum Studies 11:1, pages 1.
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Siân Jones & Thomas Yarrow. (2013) Crafting authenticity: An ethnography of conservation practice. Journal of Material Culture 18:1, pages 3-26.
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