Advanced search
Publication Cover
Historical Journal of Film, Radio and Television Volume 1, 1981 - Issue 2
Submit an article Journal homepage
1,315
Views
15
CrossRef citations to date
0
Altmetric
Original Articles

The British Board of Film Censors and content control in the 1930s: images of Britain

Jeffrey Richards University of Lancaster, England
Pages 95-116 | Published online: 12 Aug 2006

Citations (15)

Keep up to date with the latest research on this topic with citation updates for this article.

Subscribe to citation updates

Read on this site (5)

Neil Parsons. (2024) Fulfilling his debt to civilization: American filmmaker Harold Marvin Shaw, British wartime propaganda, and the anti-Bolshevik The Land of Mystery, 1914–1920. Early Popular Visual Culture 22:1, pages 10-25.
Read now
Stephen Sharot. (2021) Everyone loves (or hates) a lord: the aristocracy in British interwar cinema. Studies in European Cinema 18:2, pages 104-118.
Read now
Ross Cameron. (1997) ‘The most colourful extravaganza in the world’: Images of Tiger bay, 1845–1970. Patterns of Prejudice 31:2, pages 59-90.
Read now
JamesC. Robertson. (1982) British Film Censorship goes to war . Historical Journal of Film, Radio and Television 2:1, pages 49-64.
Read now
Jeffrey Richards. (1982) The British Board of Film Censors and content control in the 1930s: foreign affairs . Historical Journal of Film, Radio and Television 2:1, pages 39-48.
Read now

Articles from other publishers (10)

Oliver Kenny. (2023) The Role of Cultural Perceptions of Frenchness in British Film Censorship of Sexual Imagery. SSRN Electronic Journal.
Crossref
Emiel Martens. (2021) The 1930s Horror Adventure Film on Location in Jamaica: ‘Jungle Gods’, ‘Voodoo Drums’ and ‘Mumbo Jumbo’ in the ‘Secret Places of Paradise Island’. Humanities 10:2, pages 62.
Crossref
Tim Snelson & William R. Macauley. (2020) The Influence of ‘Psychiatrist Friends’ on British Film Censorship in the 1960s. Journal of British Cinema and Television 17:4, pages 473-500.
Crossref
Stephen Sharot. (2020) Trans-National Adaptations of the Church Mouse, a Cross-Class Office Romance of the Early 1930s. Adaptation 13:1, pages 77-97.
Crossref
James ChapmanJames Chapman. 2015. A New History of British Documentary. A New History of British Documentary 41 89 .
Eloise Moss. (2014) “How I Had Liked This Villain! How I Had Admired Him!”: A. J. Raffles and the Burglar as British Icon, 1898–1939. Journal of British Studies 53:1, pages 136-161.
Crossref
James ChapmanJames Chapman. 2013. Film and History. Film and History 90 107 .
Paul KnepperPaul Knepper. 2011. International Crime in the 20th Century. International Crime in the 20th Century 33 56 .
Tony Shaw. (2001) The Politics of Cold War Culture. Journal of Cold War Studies 3:3, pages 59-76.
Crossref
John Springhall. (2004) Censoring Hollywood: Youth, Moral Panic and Crime/Gangster Movies of the 1930s. The Journal of Popular Culture 32:3, pages 135-154.
Crossref

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Order Reprints Request Corporate Permissions

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

Request Academic Permissions

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.

Related research

People also read lists articles that other readers of this article have read.

Recommended articles lists articles that we recommend and is powered by our AI driven recommendation engine.

Cited by lists all citing articles based on Crossref citations.
Articles with the Crossref icon will open in a new tab.