Citations (10)
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Read on this site (5)
Jürg Schneider. (2018) Views of continuity and change: the Press Photo Archives in Buea, Cameroon. Visual Studies 33:1, pages 28-40.
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Emma Sandon. (2013) Cinema and Highlife in the Gold Coast: The Boy Kumasenu (1952). Social Dynamics 39:3, pages 496-519.
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David Kerr. (1993) The Best of Both Worlds? Colonial Film Policy and Practice in Northern Rhodesia and Nyasaland. Critical Arts 7:1-2, pages 11-42.
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Kedmon Hungwe. (1991)
Southern Rhodesian propaganda and education films for peasant farmers, 1948–1955
. Historical Journal of Film, Radio and Television 11:3, pages 229-241.
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David Kerr. (1989) Community theatre and public health in Malawi. Journal of Southern African Studies 15:3, pages 469-485.
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Articles from other publishers (5)
Vincent Bouchard. (2020) The European Approach to Propaganda confronted with the Realities of Colonial Africa. Mise au point:13.
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Jennifer Blaylock. (2020) The persistent instructor: 45 years of Kofi the Good Farmer in Ghana. Journal of African Cinemas 12:1, pages 71-86.
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Ben Page. (2014)
‘And the Oscar Goes to…
Daybreak in Udi
’: Understanding Late Colonial Community Development and its Legacy through Film
. Development and Change 45:5, pages 838-868.
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Smyth. (2013) Grierson, the British Documentary Movement, and Colonial Cinema in British Colonial Africa. Film History 25:4, pages 82.
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Rosaleen Smyth. (2004) The Roots of Community Development in Colonial Office Policy and Practice in Africa. Social Policy & Administration 38:4, pages 418-436.
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