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Journal of Baltic Studies Volume 47, 2016 - Issue 1: A Postcolonial View on Soviet Era Baltic Cultures
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Post-colonial folk dancing: reflections on the impact of stage folk dance style on traditional folk dance variation in Soviet and post-Soviet Estonia

Sille KapperDepartment of Choreography, Institute of Fine Arts, Tallinn University, Tallinn, EstoniaCorrespondence[email protected]
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, PhD
Pages 93-111 | Published online: 12 Jan 2016

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Read on this site (3)

Dace Bula. (2021) Celebrating March 8: a failed attempt at de-Sovietization?. Journal of Baltic Studies 52:1, pages 43-59.
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Indra Ekmanis. (2019) Diversity in Daugavpils: Unpacking Identity and Cultural Engagement among Minority School Youth in Eastern Latvia. Europe-Asia Studies 71:1, pages 71-96.
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Kädi Talvoja. (2018) The official art of the Khrushchev Thaw: The Severe Style as an ambassador of the Estonian national school at Baltic art exhibitions in Moscow. Journal of Baltic Studies 49:3, pages 333-350.
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Articles from other publishers (5)

Chang Li. (2024) Research on the identification and integration of folk dance creation elements based on big data technology. Applied Mathematics and Nonlinear Sciences 9:1.
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Drago Kunej. (2023) The Changing Nature of Instrumental Music and Musicians in Folk Dance Ensembles. Traditiones 52:2.
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Dikshit Sarma Bhagabati. (2021) Dancing by the Juniper: Notes from the performative space of the Brokpa's cultural enactment. Asian Journal of Social Science 49:2, pages 109-119.
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Jeanette Mollenhauer. (2021) ‘What's in a Name?’ Taxonomic Choices in the Field of Dance Studies. Dance Research 39:1, pages 89-105.
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Alexandra Yatsyk. 2017. Borders in the Baltic Sea Region. Borders in the Baltic Sea Region 197 226 .

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