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Critical Arts
South-North Cultural and Media Studies
Volume 29, 2015 - Issue 2: Consumption, media and culture in South Africa: perspectives on freedom and the public
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Articles

Sartorial excess in Mary Sibande's ‘Sophie’

Mary CorrigallView further author information
Pages 146-164 | Published online: 13 May 2015

Citations (7)

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Read on this site (5)

Jabulani G. Mnisi & Mthobeli Ngcongo. (2023) Looking back to look forward: re-humanization through conspicuous consumption in four African masculine sartorial subcultures – from diamond field’s dandies to Izikhothane. African Identities 21:2, pages 341-354.
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Vidhya Sana. (2021) Consumption and excess: South African Indian comedy and the stereotypical performance of identity in post-Apartheid South Africa. South African Theatre Journal 34:2, pages 65-83.
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Patricia C. Henderson. (2018) Cloth as a membrane of the imagination in the artwork of Mary Sibande. Anthropology Southern Africa 41:3, pages 175-184.
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Anne Scheffer, Ingrid Stevens & Amanda du Preez. (2017) Hysterical Representation in the Art of Mary Sibande. de arte 52:2-3, pages 4-28.
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Leora Farber. (2017) Asserting Creative Agencies through the Sartorial: (Re)Fashioning African and African Diasporic Masculinities. Critical Arts 31:3, pages 1-17.
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Articles from other publishers (2)

Shepherd Mpofu, Sifiso J.G Mnisi & Metji Makgoba. (2023) “Money Does Not Stay, It Is a Visitor”: Conspicuous Consumption and the Fleeting Riches in Pursuit of Elusive Happiness. Journal of Asian and African Studies, pages 002190962311733.
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Anne Scheffer, Amanda du Preez & Ingrid E. Stevens. 2021. Hysterical Methodologies in the Arts. Hysterical Methodologies in the Arts 203 231 .

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