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Critical Arts
South-North Cultural and Media Studies
Volume 2, 1981 - Issue 1
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Major Articles

The Semiotics of Alternative Theatre in South Africa

Keyan G Tomaselli
Pages 14-33 | Published online: 29 Aug 2007

Citations (12)

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Read on this site (8)

Keyan G. Tomaselli. (2019) Arts, apartheid struggles, and cultural movements. Safundi 20:3, pages 338-358.
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KeyanG. Tomaselli & Arnold Shepperson. (2001) Re-Semiotizing the South African Democratic Project: The African Renaissance. Social Semiotics 11:1, pages 91-106.
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Bhekizizwe Peterson. (1995) ‘A rain a fall but the dirt it tough’: scholarship on African theatre in South Africa. Journal of Southern African Studies 21:4, pages 573-584.
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Ian Steadman. (1990) Towards popular theatre in South Africa. Journal of Southern African Studies 16:2, pages 208-228.
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Temple Hauptfleisch. (1988) FROM THE SAVOY TO SOWETO. South African Theatre Journal 2:1, pages 35-63.
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Kelwyn Sole. (1987) IDENTITIES AND PRIORITIES IN RECENT BLACK LITERATURE AND PERFORMANCE: A PRELIMINARY INVESTIGATION. South African Theatre Journal 1:1, pages 45-113.
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Michael Green. (1984) The Manifesto and the Fifth Column . Critical Arts 3:2, pages 9-19.
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David Coplan. (1983) Editorial: Popular culture and performance in Africa. Critical Arts 3:1, pages 1-8.
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Articles from other publishers (4)

Bev Orton. 2018. Women, Activism and Apartheid South Africa: Using Play Texts to Document the Herstory of South Africa. Women, Activism and Apartheid South Africa: Using Play Texts to Document the Herstory of South Africa 181 204 .
Ian Steadman. (2009) Performance and Politics in Process: Practices of Representation in South African Theatre. Theatre Survey 33:2, pages 188-210.
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Annette L. Combrink. (1987) Socio-cultural and political values in modern South African drama. Neohelicon 14:2, pages 311-324.
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Keyan G. Tomaselli. (1986) Race, class and the South African progressive press. International Journal of Intercultural Relations 10:1, pages 53-74.
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