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Critical Arts
South-North Cultural and Media Studies
Volume 13, 1999 - Issue 1
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Negotiations/Transitions

Miscast: The place of the museum in negotiating the Bushman past and present

Shannon Jackson Department of Anthropology, University of Chicago
&
Steven Robins Department of Anthropology, University of Western Cape
Pages 69-101 | Published online: 29 Aug 2007

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Read on this site (6)

Rosabelle Boswell & Jessica Leigh Thornton. (2021) Including the Khoisan for a more inclusive Blue Economy in South Africa. Journal of the Indian Ocean Region 17:2, pages 141-160.
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Lebogang Mokwena. (2020) Along the museological grain: An exploration of the (geo)political inheritance in Isishweshwe Story: Material Women?. African Studies 79:3, pages 305-322.
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Keyan G. Tomaselli. (2014) Researching the San, San/ding the research. Critical Arts 28:4, pages 722-732.
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Nyasha Mboti. (2014) To exhibit or be exhibited: the visual art of Vetkat Regopstaan Boesman Kruiper. Critical Arts 28:3, pages 472-492.
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KeyanG. Tomaselli. (2001) Rock art, the art of tracking, and cybertracking: Demystifying the “Bushmen” in the information age. Visual Anthropology 14:1, pages 77-82.
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KeyanG. Tomaselli. (1999) Encounters in the Kalahari: Some points of departure. Visual Anthropology 12:2-3, pages 131-136.
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Articles from other publishers (2)

Leïla Baracchini, Blaise Mulhauser & Elodie Gaille. (2022) Exposer de l’art bushman en Suisse. TSANTSA – Journal of the Swiss Anthropological Association 27, pages 16-39.
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Doris Ash. 2019. Natural History Dioramas – Traditional Exhibits for Current Educational Themes. Natural History Dioramas – Traditional Exhibits for Current Educational Themes 113 130 .

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