Citations (9)
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Read on this site (4)
Sandra Klopper. (2017) The Artist as Agent: Noria Mabasa and the Book. de arte 52:1, pages 105-128.
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Sofie de Smet, Marieke Breyne & Christel Stalpaert. (2015) When the past strikes the present: performing requiems for the Marikana massacre. South African Theatre Journal 28:3, pages 222-241.
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Natasha Erlank. (2015) Routes to Sophiatown. African Studies 74:1, pages 26-50.
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Joan
Faber McAlister. (2013) Collecting the Gaze: Memory, Agency, and Kinship in the Women's Jail Museum, Johannesburg. Women's Studies in Communication 36:1, pages 1-27.
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Articles from other publishers (5)
Bev Orton & Alexander D. Ornella. 2023. Duty to Revolt. Duty to Revolt
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Bev Orton. 2018. Women, Activism and Apartheid South Africa: Using Play Texts to Document the Herstory of South Africa. Women, Activism and Apartheid South Africa: Using Play Texts to Document the Herstory of South Africa
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Sabine Marschall. (2017) Targeting Statues: Monument “Vandalism” as an Expression of Sociopolitical Protest in South Africa. African Studies Review 60:3, pages 203-219.
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Lisa Aronson. (2012) Gender and South African Art. African Arts 45:4, pages 1-5.
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Margareta von Oswald. (2012) What Kind of Postcolonial Museum? The Circulation of Objects as a Postcolonial Lever: Study Day at Bétonsalon, Paris, December 2011. African Arts 45:4, pages 5-6.
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