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Original Articles

Listening, Mediation, Event: Anthropological and Sociological Perspectives

Pages 79-89 | Published online: 19 Feb 2010

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Read on this site (3)

Víctor Ávila Torres. (2023) Plasticine Music – or the intimate social life of cultural objects. Journal of Cultural Economy 0:0, pages 1-13.
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Zita Joyce. (2018) Alternative Radio: exhibiting radio and music heritage after the Christchurch earthquakes. International Journal of Heritage Studies 24:3, pages 230-242.
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Franziska Schroeder. (2013) Network[ed] Listening—Towards a De-centering of Beings. Contemporary Music Review 32:2-03, pages 215-229.
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Articles from other publishers (38)

Ian Cross. (2023) Sharing uncertainty: Music in humanistic and scientific understandings. Musicae Scientiae.
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Georgia Volioti & Aaron Williamon. (2020) Performers’ discourses on listening to recordings. Research Studies in Music Education 43:3, pages 481-497.
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Trygve Throntveit. (2021) Thorstein Veblen, Bard of Democracy. European Journal of Pragmatism and American Philosophy XIII:1.
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Hollis Taylor. (2021) Evidence for Teaching in an Australian Songbird. Frontiers in Psychology 12.
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Oskar Cox Jensen. 2021. The Ballad-Singer in Georgian and Victorian London. The Ballad-Singer in Georgian and Victorian London.
Kate Lacey. 2020. The Handbook of Listening. The Handbook of Listening 181 197 .
JOSEPH BROWNING. (2020) Involving Experiences: Audiencing and Co-reception in Pleasure Garden . Journal of the Royal Musical Association 145:1, pages 191-227.
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James A. Steintrager & Rey Chow. 2019. Sound Objects. Sound Objects 1 19 .
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David Toop. 2019. Sound Objects. Sound Objects 246 264 .
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John Mowitt. 2019. Sound Objects. Sound Objects 211 227 .
Georgina Born. 2019. Sound Objects. Sound Objects 185 207 .
Jairo Moreno & Gavin Steingo. 2019. Sound Objects. Sound Objects 167 184 .
Veit Erlmann. 2019. Sound Objects. Sound Objects 151 166 .
Pooja Rangan. 2019. Sound Objects. Sound Objects 130 148 .
Rey Chow. 2019. Sound Objects. Sound Objects 113 129 .
Jonathan Sterne. 2019. Sound Objects. Sound Objects 94 109 .
James A. Steintrager. 2019. Sound Objects. Sound Objects 73 93 .
Brian Kane. 2019. Sound Objects. Sound Objects 53 70 .
John Dack. 2019. Sound Objects. Sound Objects 33 52 .
Michel Chion. 2019. Sound Objects. Sound Objects 23 32 .
Georgia Volioti & Aaron Williamon. (2016) Recordings as learning and practising resources for performance: Exploring attitudes and behaviours of music students and professionals. Musicae Scientiae 21:4, pages 499-523.
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Frederik Lesage. 2016. Advancing Media Production Research. Advancing Media Production Research 217 232 .
GEORGINA BORN & KYLE DEVINE. (2015) Music Technology, Gender, and Class: Digitization, Educational and Social Change in Britain. Twentieth-Century Music 12:2, pages 135-172.
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Oskar Cox JensenOskar Cox Jensen. 2015. Napoleon and British Song, 1797–1822. Napoleon and British Song, 1797–1822 15 39 .
Monty Adkins. (2014) A Manifesto of Nodalism. Journal of Science and Technology of the Arts 6:1, pages 51.
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Lila Ellen Gray. 2013. Fado Resounding. Fado Resounding 1 25 .
Franziska Schroeder. 2012. Identity, Performance and Technology. Identity, Performance and Technology 24 43 .

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