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Mirjana Veselinović-Hofman. (2021) Two Modes of the Avant-Garde’s Disintegration in Twenty-First-Century Serbian Music. Contemporary Music Review 40:5-6, pages 650-663.
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GAVIN S. K. LEE & CHRISTOPHER J. MILLER. (2023) Introduction to the Special Issue on Global Musical Modernisms. Twentieth-Century Music, pages 1-18.
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MARCELLE PIERSON. (2016) Voice, Technē , and Jouissance in Music for 18 Musicians . Twentieth-Century Music 13:1, pages 25-52.
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SARAH COLLINS. (2015) The Composer as ‘Good European’: Musical Modernism, Amor fati and the Cosmopolitanism of Frederick Delius . Twentieth-Century Music 12:1, pages 97-123.
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NICHOLAS REYLAND. (2015) The Spaces of Dream: Lutosławski's Modernist Heterotopias. Twentieth-Century Music 12:1, pages 37-70.
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