1,068
Views
140
CrossRef citations to date
0
Altmetric
Original Articles

Mode and tempo relative contributions to “happy-sad” judgements in equitone melodies

&
Pages 25-40 | Published online: 09 Sep 2010

Keep up to date with the latest research on this topic with citation updates for this article.

Read on this site (12)

Erol Ozcelik & Ismahan Arslan-Ari. (2024) Enhancing Multimedia Learning by Emotional Arousal. The Journal of Experimental Education 92:2, pages 247-261.
Read now
Mila Volpe. (2021) Music’s Powers: Embodiment & Flourishing with Taylor Swift. Contemporary Music Review 40:1, pages 60-77.
Read now
Andrés Buxó-Lugo & L. Robert Slevc. (2020) Do Minor Thirds Characterize the Prosody of Sad Speech?. Auditory Perception & Cognition 3:4, pages 189-200.
Read now
Timothy Justus, Laura Gabriel & Adela Pfaff. (2018) Form and Meaning in Music: Revisiting the Affective Character of the Major and Minor Modes. Auditory Perception & Cognition 1:3-4, pages 229-247.
Read now
Meredith Caldwell, Summer K. Rankin, Patpong Jiradejvong, Courtney Carver & Charles J. Limb. (2015) Cochlear implant users rely on tempo rather than on pitch information during perception of musical emotion. Cochlear Implants International 16:sup3, pages S114-S120.
Read now
Snježana Dobrota & Ina Reić Ercegovac. (2015) The relationship between music preferences of different mode and tempo and personality traits – implications for music pedagogy. Music Education Research 17:2, pages 234-247.
Read now
Giovanni De Poli, Luca Mion & Antonio Rodà. (2009) Toward an Action Based Metaphor for Gestural Interaction with Musical Contents. Journal of New Music Research 38:3, pages 295-307.
Read now
William Forde Thompson, FrankA. Russo & Lena Quinto. (2008) Audio-visual integration of emotional cues in song. Cognition and Emotion 22:8, pages 1457-1470.
Read now
PatrickG. Hunter, E. Glenn Schellenberg & Ulrich Schimmack. (2008) Mixed affective responses to music with conflicting cues. Cognition and Emotion 22:2, pages 327-352.
Read now
E. Glenn Schellenberg, Isabelle Peretz & Sandrine Vieillard. (2008) Liking for happy- and sad-sounding music: Effects of exposure. Cognition and Emotion 22:2, pages 218-237.
Read now
Marc Leman, Valery Vermeulen, Liesbeth De Voogdt, Dirk Moelants & Micheline Lesaffre. (2005) Prediction of Musical Affect Using a Combination of Acoustic Structural Cues. Journal of New Music Research 34:1, pages 39-67.
Read now

Articles from other publishers (128)

Riccardo Migliavada, Fabio Luceri & Luisa Torri. (2024) Chew that beat! How music tempo influences eating behaviors and emotions. Food Quality and Preference 118, pages 105195.
Crossref
Satoshi Kawase. (2023) Is happier music groovier? The influence of emotional characteristics of musical chord progressions on groove. Psychological Research 88:2, pages 438-448.
Crossref
Matthew Moreno & Earl Woodruff. (2023) Examining the effects of tempo in background music on adolescent learners’ reading comprehension performance: employing a multimodal approach. Instructional Science 52:1, pages 71-88.
Crossref
Gabriel Ademola Oyeniyi. (2024) EMOTIONAL SOUNDTRACK: INFLUENCE OF MUSIC COMPOSERS ON AUDIENCE EMOTION. Shodh Sari-An International Multidisciplinary Journal 03:01, pages 394-410.
Crossref
Kanhe Zhou. (2023) Rational music or Empirical music: The relationship between Rationalism, Empiricism and Music. Journal of Education, Humanities and Social Sciences 22, pages 686-691.
Crossref
John Melvin Treider, Jonas R. Kunst & Jonna K. Vuoskoski. (2023) The influence of musical parameters and subjective musical ratings on perceptions of culture. Scientific Reports 13:1.
Crossref
Thiago H. S. Martins, Raone M. Rodrigues, Felipe C. O. Araújo, Átila M. Cedro, Renato Bortoloti, André A. B. Varella & Edson M. Huziwara. (2023) Transfer of functions based on equivalence class formation using musical stimuli. Journal of the Experimental Analysis of Behavior 120:3, pages 394-405.
Crossref
Ève Poudrier, Bryan Jacob Bell, Jason Yin Hei Lee & Craig Stuart Sapp. (2023) Listeners’ Perceived Emotions in Musical Excerpts with Ordered vs. Randomized Pitch and Register. Listeners’ Perceived Emotions in Musical Excerpts with Ordered vs. Randomized Pitch and Register.
Éric Hanigan, Arielle Bonneville-Roussy, Gilles Dupuis & Christophe Fortin. (2023) Validation of the Measure of Emotions by Music (MEM). Psychology of Music 51:4, pages 1379-1396.
Crossref
Samuel Kayode Akinbo. (2023) Sound-meaning mapping: Verbal imitation of Super Mario music by Yorùbá gamers. Language Sciences 98, pages 101553.
Crossref
Kyoung Hee Jun. (2023) The effects of Alpha Music Listening on Left and Right Brain α-Power and Ratio, and Depression. The Journal of Korean Academy of Physical Therapy Science 30:2, pages 7-19.
Crossref
Raone M. Rodrigues, Ana C. M. Almeida Verdu, Lidia M. M Postalli & Edson M. Huziwara. (2023) Teaching Conditional Relations between Music Progressions and Faces for Child Cochlear Implant Users. The Psychological Record 73:2, pages 289-299.
Crossref
Masaomi Oda & Keiko Sato. (2022) Evaluation of the goodness of musical tempo. Psychology of Music 51:3, pages 750-763.
Crossref
Oliver Herdson, Tuomas Eerola & Amir-Homayoun Javadi. (2022) Analysis and Classification of Music-Induced States of Sadness. Emotion Review 15:2, pages 99-117.
Crossref
Edson Massayuki Huziwara, Átila Moreira Cedro, Raone Mateus Rodrigues, Thaís Porlan de Oliveira, Renato Bortoloti & Antônio Jaeger. (2022) Affective priming caused by musical chords on human facial expressions. Psychology of Music 51:2, pages 541-552.
Crossref
Tanmayee Pathre & Jeremy Marozeau. (2023) Temporal Cues in the Judgment of Music Emotion for Normal and Cochlear Implant Listeners. Trends in Hearing 27, pages 233121652311705.
Crossref
María García-Rodríguez, Jesús M Alvarado, José-Fernando Fernández-Company, Virginia Jiménez & Anelia Ivanova-Iotova. (2022) Music and facial emotion recognition and its relationship with alexithymia. Psychology of Music 51:1, pages 259-273.
Crossref
Renato Panda, Ricardo Malheiro & Rui Pedro Paiva. (2023) Audio Features for Music Emotion Recognition: A Survey. IEEE Transactions on Affective Computing 14:1, pages 68-88.
Crossref
Pinaki Gayen, Archi Banerjee, Shankha Sanyal, Priyadarshi Patnaik & Dipak Ghosh. 2023. Advances in Speech and Music Technology. Advances in Speech and Music Technology 379 395 .
Annaliese Micallef Grimaud & Tuomas Eerola. (2022) Emotional expression through musical cues: A comparison of production and perception approaches. PLOS ONE 17:12, pages e0279605.
Crossref
Yuqing Che, Crescent Jicol, Chris Ashwin & Karin Petrini. (2022) An RCT study showing few weeks of music lessons enhance audio-visual temporal processing. Scientific Reports 12:1.
Crossref
Kyoko Hine, Koki Abe, Yuya Kinzuka, Mohammad Shehata, Katsunobu Hatano, Toshie Matsui & Shigeki Nakauchi. (2022) Spontaneous motor tempo contributes to preferred music tempo regardless of music familiarity. Frontiers in Psychology 13.
Crossref
Young-Sung Kwon, Jonghyun Lee & Slgi (Sage) Lee. (2022) The impact of background music on film audience’s attentional processes: Electroencephalography alpha-rhythm and event-related potential analyses. Frontiers in Psychology 13.
Crossref
Nille Elise Kepp, Irene Arrieta, Christina Schiøth & Lone Percy-Smith. (2022) Virtual Reality pitch ranking in children with cochlear implants, hearing aids or normal hearing. International Journal of Pediatric Otorhinolaryngology 161, pages 111241.
Crossref
Cameron J. Anderson & Michael Schutz. (2021) Exploring historic changes in musical communication: Deconstructing emotional cues in preludes by Bach and Chopin. Psychology of Music 50:5, pages 1424-1442.
Crossref
Kaitong Zheng, Ruijie Meng, Chengshi Zheng, Xiaodong Li, Jinqiu Sang, Juanjuan Cai, Jie Wang & Xiao Wang. (2022) EmotionBox: A music-element-driven emotional music generation system based on music psychology. Frontiers in Psychology 13.
Crossref
Xin Wang, Yujia Wei & Dasheng Yang. (2021) Cross‐cultural analysis of the correlation between musical elements and emotion. Cognitive Computation and Systems 4:2, pages 116-129.
Crossref
Matthew Moreno & Earl Woodruff. (2022) Synthesizing advancements in methodology and technology to understand affective expression and music stimuli: a literature review. SN Social Sciences 2:4.
Crossref
Jaehwan Kim & Moon Young Kang. (2022) Sustainable success in the music industry: Empirical analysis of music preferences. Journal of Business Research 142, pages 1068-1076.
Crossref
Aimee Battcock & Michael Schutz. (2021) Emotion and expertise: how listeners with formal music training use cues to perceive emotion. Psychological Research 86:1, pages 66-86.
Crossref
Annaliese Micallef Grimaud & Tuomas Eerola. (2022) An Interactive Approach to Emotional Expression Through Musical Cues. Music & Science 5, pages 205920432110617.
Crossref
George Athanasopoulos, Tuomas Eerola, Imre Lahdelma & Maximos Kaliakatsos-Papakostas. (2021) Harmonic organisation conveys both universal and culture-specific cues for emotional expression in music. PLOS ONE 16:1, pages e0244964.
Crossref
Haley E. Kragness, Matthew J. Eitel, Ammaarah M. Baksh & Laurel J. Trainor. (2020) Evidence for early arousal‐based differentiation of emotions in children’s musical production. Developmental Science 24:1.
Crossref
Pinaki Gayen, Junmoni Borgohain & Priyadarshi Patnaik. 2021. Advances in Speech and Music Technology. Advances in Speech and Music Technology 285 293 .
Elena Commodari & Jasmine Sole. (2019) Music education in junior high school: Perception of emotions conveyed by music and mental imagery in students who attend the standard or musical curriculum. Psychology of Music 48:6, pages 824-835.
Crossref
Alberto Montero-Ruiz, Laura A. Fuentes, Estela Pérez Ruiz, Nuria García-Agua Soler, Francisca Rius-Diaz, Pilar Caro Aguilera, Javier Pérez Frías & Elisa Martín-Montañez. (2020) Effects of music therapy as an adjunct to chest physiotherapy in children with cystic fibrosis: A randomized controlled trial. PLOS ONE 15:10, pages e0241334.
Crossref
Renee Timmers, Yuko Arthurs & Harriet Crook. (2020) Stream segregation revisited: Dynamic listening and influences of emotional context on stream perception and attention. Consciousness and Cognition 85, pages 103027.
Crossref
Jonathan De Souza, Adam Roy & Andrew Goldman. (2020) Classical Rondos and Sonatas as Stylistic Categories. Music Perception 37:5, pages 373-391.
Crossref
Joselyn Ho & Charles Chubb. (2020) How rests and cyclic sequences influence performance in tone-scramble tasks. The Journal of the Acoustical Society of America 147:6, pages 3859-3870.
Crossref
Scott A. Adler, Kyle J. Comishen, Audrey M. B. Wong-Kee-You & Charles Chubb. (2020) Sensitivity to major versus minor musical modes is bimodally distributed in young infants. The Journal of the Acoustical Society of America 147:6, pages 3758-3764.
Crossref
Qi Meng, Jiani Jiang, Fangfang Liu & Xiaoduo Xu. (2020) Effects of the Musical Sound Environment on Communicating Emotion. International Journal of Environmental Research and Public Health 17:7, pages 2499.
Crossref
Luz Fernández-Aguilar, Beatriz Navarro-Bravo, Jorge Ricarte, Laura Ros & Jose Miguel Latorre. (2019) How effective are films in inducing positive and negative emotional states? A meta-analysis. PLOS ONE 14:11, pages e0225040.
Crossref
Linshu Zhou, Fang Liu, Jun Jiang & Cunmei Jiang. (2019) Impaired emotional processing of chords in congenital amusia: Electrophysiological and behavioral evidence. Brain and Cognition 135, pages 103577.
Crossref
Aimee Battcock & Michael Schutz. (2019) Acoustically Expressing Affect. Music Perception 37:1, pages 66-91.
Crossref
L.Y. Lo, T.C. Ng, M. Lin & N. Thompson. (2019) Not Only Musicians Know Major and Minor: Categorical Perception of Major and Minor in Untrained Ears Across Ages. International Journal of Developmental Science 13:1-2, pages 31-39.
Crossref
Rosabel Yu Ling Tay & Bee Chin Ng. (2019) Effects of affective priming through music on the use of emotion words. PLOS ONE 14:4, pages e0214482.
Crossref
Leonardo Bonetti & Marco Costa. (2017) Musical mode and visual-spatial cross-modal associations in infants and adults. Musicae Scientiae 23:1, pages 50-68.
Crossref
Álvaro García-Faura, Alejandro Hernández-García, Fernando Fernández-Martínez, Fernando Díaz-de-María & Rubén San-Segundo. (2019) Emotion and attention: Audiovisual models for group-level skin response recognition in short movies. Web Intelligence 17:1, pages 29-40.
Crossref
Catherine Massie-Laberge, Isabelle Cossette & Marcelo M. Wanderley. (2019) Kinematic Analysis of Pianists' Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches. Frontiers in Psychology 9.
Crossref
Mary C. Broughton, Emery Schubert, Dominic G. Harvey & Catherine J. Stevens. (2017) Continuous self-report engagement responses to the live performance of an atonal, post-serialist solo marimba work. Psychology of Music 47:1, pages 109-131.
Crossref
Susanne Kristen-Antonow. (2017) The role of ToM in creating a reminiscence bump for MEAMs from adolescence. Psychology of Music 47:1, pages 51-68.
Crossref
Beste F. Yuksel, Kurt B. Oleson, Remco Chang & Robert J. K. Jacob. 2019. New Directions in Music and Human-Computer Interaction. New Directions in Music and Human-Computer Interaction 163 177 .
Ying Liu, Guangyuan Liu, Dongtao Wei, Qiang Li, Guangjie Yuan, Shifu Wu, Gaoyuan Wang & Xingcong Zhao. (2018) Effects of Musical Tempo on Musicians’ and Non-musicians’ Emotional Experience When Listening to Music. Frontiers in Psychology 9.
Crossref
Solena Mednicoff, Stephanie Mejia, Jordan Ali Rashid & Charles Chubb. (2018) Many listeners cannot discriminate major vs minor tone-scrambles regardless of presentation rate. The Journal of the Acoustical Society of America 144:4, pages 2242-2255.
Crossref
Ding WANG, Chao WANG & Hong LI. (2022) 喜欢悲伤音乐的心理机制 <sup>*</sup>. Advances in Psychological Science 26:6, pages 1004-1011.
Crossref
Elena Saiz-Clar & José M. Reales. (2017) Predicting emotional response to music through a compound neural network. Psychology of Music 46:2, pages 222-237.
Crossref
Kaite Yang & Emily Pronin. 2018. 167 222 .
Dipak Ghosh, Ranjan Sengupta, Shankha Sanyal & Archi BanerjeeDipak Ghosh, Ranjan Sengupta, Shankha Sanyal & Archi Banerjee. 2018. Musicality of Human Brain through Fractal Analytics. Musicality of Human Brain through Fractal Analytics 1 20 .
Jeffrey M. Valla, Jacob A. Alappatt, Avantika Mathur & Nandini C. Singh. (2017) Music and Emotion—A Case for North Indian Classical Music. Frontiers in Psychology 8.
Crossref
Michael Schutz. (2017) Acoustic Constraints and Musical Consequences: Exploring Composers' Use of Cues for Musical Emotion. Frontiers in Psychology 8.
Crossref
Misha Sra, Pattie Maes, Prashanth Vijayaraghavan & Deb Roy. (2017) Auris. Auris.
Tyler Dean & Charles Chubb. (2017) Scale-sensitivity: A cognitive resource basic to music perception. The Journal of the Acoustical Society of America 142:3, pages 1432-1440.
Crossref
Elizabeth Hellmuth Margulis, William H. Levine, Rhimmon Simchy-Gross & Carolyn Kroger. (2017) Expressive intent, ambiguity, and aesthetic experiences of music and poetry. PLOS ONE 12:7, pages e0179145.
Crossref
Carolina Labbé, Donald Glowinski & Didier Grandjean. (2016) The effect of ensemble and solo performance on affective experiences induced by music. Psychology of Music 45:4, pages 600-608.
Crossref
Raoul Jenni, Mathias S. Oechslin & Clara E. James. (2017) Impact of major and minor mode on EEG frequency range activities of music processing as a function of expertise. Neuroscience Letters 647, pages 159-164.
Crossref
Fabia Franco, Marcia Chew & Joel Simon Swaine. (2016) Preschoolers’ attribution of affect to music: A comparison between vocal and instrumental performance. Psychology of Music 45:1, pages 131-149.
Crossref
Fabio Morreale & Antonella De Angeli. (2016) Collaborating with an Autonomous Agent to Generate Affective Music. Computers in Entertainment 14:3, pages 1-21.
Crossref
Tik Sze Carrey Siu & Him Cheung. (2015) Emotional experience in music fosters 18‐month‐olds' emotion–action understanding: a training study. Developmental Science 19:6, pages 933-946.
Crossref
Tanor L. Bonin, Laurel J. Trainor, Michel Belyk & Paul W. Andrews. (2016) The source dilemma hypothesis: Perceptual uncertainty contributes to musical emotion. Cognition 154, pages 174-181.
Crossref
Alicia Fernández-Sotos, Antonio Fernández-Caballero & José M. Latorre. (2016) Influence of Tempo and Rhythmic Unit in Musical Emotion Regulation. Frontiers in Computational Neuroscience 10.
Crossref
Keumju Bang & 박정미. (2016) A Study on the Emotional Implication Based on the Music - Figure Theory of Mattheson and Cooke in Elementary School Songs. Korean Journal of Elementary Education 27:2, pages 121-140.
Crossref
Markus Hausmann, Sophie Hodgetts & Tuomas Eerola. (2016) Music-induced changes in functional cerebral asymmetries. Brain and Cognition 104, pages 58-71.
Crossref
Imre Lahdelma & Tuomas Eerola. (2014) Single chords convey distinct emotional qualities to both naïve and expert listeners. Psychology of Music 44:1, pages 37-54.
Crossref
Rebekah Stewart & Erin McAlpin. (2016) Prominent Elements in Songwriting for Emotional Expression: An Integrative Review of Literature. Music Therapy Perspectives 34:2, pages 184-190.
Crossref
Matthew Poon & Michael Schutz. (2015) Cueing musical emotions: An empirical analysis of 24-piece sets by Bach and Chopin documents parallels with emotional speech. Frontiers in Psychology 6.
Crossref
Kelly Jakubowski, Nicolas Farrugia, Andrea R. Halpern, Sathish K. Sankarpandi & Lauren Stewart. (2015) The speed of our mental soundtracks: Tracking the tempo of involuntary musical imagery in everyday life. Memory & Cognition 43:8, pages 1229-1242.
Crossref
Sara Giannantonio, Melissa J. Polonenko, Blake C. Papsin, Gaetano Paludetti & Karen A. Gordon. (2015) Experience Changes How Emotion in Music Is Judged: Evidence from Children Listening with Bilateral Cochlear Implants, Bimodal Devices, and Normal Hearing. PLOS ONE 10:8, pages e0136685.
Crossref
Duncan Williams, Alexis Kirke, Eduardo Miranda, Ian Daly, James Hallowell, James Weaver, Asad Malik, Etienne Roesch, Faustina Hwang & Slawomir Nasuto. (2015) Investigating Perceived Emotional Correlates of Rhythmic Density in Algorithmic Music Composition. ACM Transactions on Applied Perception 12:3, pages 1-21.
Crossref
Swathi Swaminathan & E. Glenn Schellenberg. (2015) Current Emotion Research in Music Psychology. Emotion Review 7:2, pages 189-197.
Crossref
David Radford Bakker & Frances Heritage Martin. (2014) Musical chords and emotion: Major and minor triads are processed for emotion. Cognitive, Affective, & Behavioral Neuroscience 15:1, pages 15-31.
Crossref
Charlotte Krahé, Ulrike Hahn & Kathryn Whitney. (2013) Is seeing (musical) believing? The eye versus the ear in emotional responses to music. Psychology of Music 43:1, pages 140-148.
Crossref
Richard Parncutt. (2014) The emotional connotations of major versus minor tonality: One or more origins?. Musicae Scientiae 18:3, pages 324-353.
Crossref
Malinda J. McPherson, Monica Lopez-Gonzalez, Summer K. Rankin & Charles J. Limb. (2014) The Role of Emotion in Musical Improvisation: An Analysis of Structural Features. PLoS ONE 9:8, pages e105144.
Crossref
Lena Quinto, William Forde Thompson & Alan Taylor. (2013) The contributions of compositional structure and performance expression to the communication of emotion in music. Psychology of Music 42:4, pages 503-524.
Crossref
Desmond C. Sergeant & Evangelos Himonides. (2014) Gender and the performance of music. Frontiers in Psychology 5.
Crossref
Clarissa A. Thompson & John E. Opfer. (2012) Affective constraints on acquisition of musical concepts: Children’s and adults’ development of the major–minor distinction. Psychology of Music 42:1, pages 3-28.
Crossref
Manuela Kerer, Josef Marksteiner, Hartmann Hinterhuber, Georg Kemmler, Harald R. Bliem & Elisabeth M. Weiss. (2014) Happy and Sad Judgements in Dependence on Mode and Note Density in Patients with Mild Cognitive Impairment and Early-Stage Alzheimer's Disease. Gerontology 60:5, pages 402-412.
Crossref
Konstantinos Trochidis & Emmanuel Bigand. 2014. Guide to Brain-Computer Music Interfacing. Guide to Brain-Computer Music Interfacing 105 132 .
Hyun Ju Chong, Eunju Jeong & Soo Ji Kim. (2013) Listeners' Perception of Intended Emotions in Music. International Journal of Contents 9:4, pages 78-85.
Crossref
Yin Tian, Weiyi Ma, Chunyang Tian, Peng Xu & Dezhong Yao. (2013) Brain oscillations and electroencephalography scalp networks during tempo perception. Neuroscience Bulletin 29:6, pages 731-736.
Crossref
Marco Costa. (2012) Effects of mode, consonance, and register in visual and word-evaluation affective priming experiments. Psychology of Music 41:6, pages 713-728.
Crossref
Charles Chubb, Christopher A. Dickson, Tyler Dean, Christopher Fagan, Daniel S. Mann, Charles E. Wright, Maime Guan, Andrew E. Silva, Peter K. Gregersen & Elena Kowalsky. (2013) Bimodal distribution of performance in discriminating major/minor modes. The Journal of the Acoustical Society of America 134:4, pages 3067-3078.
Crossref
Konstantinos Trochidis & Emmanuel Bigand. (2013) Investigation of the Effect of Mode and Tempo on Emotional Responses to Music Using EEG Power Asymmetry. Journal of Psychophysiology 27:3, pages 142-148.
Crossref
Keiko S. Kamiyama, Dilshat Abla, Koichi Iwanaga & Kazuo Okanoya. (2013) Interaction between musical emotion and facial expression as measured by event-related potentials. Neuropsychologia 51:3, pages 500-505.
Crossref
Beau Sievers, Larry Polansky, Michael Casey & Thalia Wheatley. (2012) Music and movement share a dynamic structure that supports universal expressions of emotion. Proceedings of the National Academy of Sciences 110:1, pages 70-75.
Crossref
Kirk N. Olsen & Catherine J. Stevens. (2013) Psychophysiological Response to Acoustic Intensity Change in a Musical Chord. Journal of Psychophysiology 27:1, pages 16-26.
Crossref
Seçil UğurSeçil Uğur. 2013. Wearing Embodied Emotions. Wearing Embodied Emotions 33 59 .
Erik M. Schmidt, Matthew Prockup, Jeffrey Scott, Brian Dolhansky, Brandon G. Morton & Youngmoo E. Kim. 2013. From Sounds to Music and Emotions. From Sounds to Music and Emotions 278 300 .
Timothy L. Hubbard. 2013. Multisensory Imagery. Multisensory Imagery 221 247 .
Klemens Knöferle & Charles Spence. (2012) Crossmodal correspondences between sounds and tastes. Psychonomic Bulletin & Review 19:6, pages 992-1006.
Crossref
Steven Stack, David Lester & Jonathan S. Rosenberg. (2012) Music and Suicidality: A Quantitative Review and Extension. Suicide and Life-Threatening Behavior 42:6, pages 654-671.
Crossref
Katja Kladnik Stabej, Lojze Smid, Anton Gros, Miha Zargi, Andrej Kosir & Jagoda Vatovec. (2012) The music perception abilities of prelingually deaf children with cochlear implants. International Journal of Pediatric Otorhinolaryngology 76:10, pages 1392-1400.
Crossref
Valerie Thompson & Kinga Morsanyi. (2012) Analytic thinking: do you feel like it?. Mind & Society 11:1, pages 93-105.
Crossref
Klemens M. Knoferle, Eric R. Spangenberg, Andreas Herrmann & Jan R. Landwehr. (2011) It is all in the mix: The interactive effect of music tempo and mode on in-store sales. Marketing Letters 23:1, pages 325-337.
Crossref
Péter Pongrácz, Csaba Molnár, Antal Dóka & Ádám Miklósi. (2011) Do children understand man's best friend? Classification of dog barks by pre-adolescents and adults. Applied Animal Behaviour Science 135:1-2, pages 95-102.
Crossref
Patrick G. Hunter, E. Glenn Schellenberg & Stephanie M. Stalinski. (2011) Liking and identifying emotionally expressive music: Age and gender differences. Journal of Experimental Child Psychology 110:1, pages 80-93.
Crossref
Marjolein D. van der Zwaag, Joyce H.D.M. Westerink & Egon L. van den Broek. (2011) Emotional and psychophysiological responses to tempo, mode, and percussiveness. Musicae Scientiae 15:2, pages 250-269.
Crossref
Marjolein D. van der Zwaag, Joyce H. D. M. Westerink & Egon L. van den Broek. (2011) Emotional and Psychophysiological Responses to Tempo, Mode, and Percussiveness. Musicae Scientiae 15:2, pages 250-269.
Crossref
Nikolaus Steinbeis & Stefan Koelsch. (2011) Affective Priming Effects of Musical Sounds on the Processing of Word Meaning. Journal of Cognitive Neuroscience 23:3, pages 604-621.
Crossref
Jeong-Won Jeong, Vaibhav A. Diwadkar, Carla D. Chugani, Piti Sinsoongsud, Otto Muzik, Michael E. Behen, Harry T. Chugani & Diane C. Chugani. (2011) Congruence of happy and sad emotion in music and faces modifies cortical audiovisual activation. NeuroImage 54:4, pages 2973-2982.
Crossref
Mayumi Hamamoto, Mauro BotelhoMargaret P. Munger. (2010) Non-musicians’ and musicians’ perception of bitonality. Psychology of Music 38:4, pages 423-445.
Crossref
Patrick G. Hunter & E. Glenn Schellenberg. 2010. Music Perception. Music Perception 129 164 .
Laurel J. Trainor & Kathleen A. Corrigall. 2010. Music Perception. Music Perception 89 127 .
Alex Roberto Machado & Elizeu Batista Borloti. (2009) Formação de classes funcionais de estímulos musicais. Paidéia (Ribeirão Preto) 19:42, pages 47-58.
Crossref
José Fornari & Tuomas Eerola. 2009. Computer Music Modeling and Retrieval. Genesis of Meaning in Sound and Music. Computer Music Modeling and Retrieval. Genesis of Meaning in Sound and Music 119 133 .
Emily Pronin & Elana Jacobs. (2008) Thought Speed, Mood, and the Experience of Mental Motion. Perspectives on Psychological Science 3:6, pages 461-485.
Crossref
Stephanie M. Stalinski, E. Glenn Schellenberg & Sandra E. Trehub. (2008) Developmental changes in the perception of pitch contour: Distinguishing up from down. The Journal of the Acoustical Society of America 124:3, pages 1759-1763.
Crossref
Miho Suzuki, Nobuyuki Okamura, Yousuke Kawachi, Manabu Tashiro, Hiroshi Arao, Takayuki Hoshishiba, Jiro Gyoba & Kazuhiko Yanai. (2008) Discrete cortical regions associated with the musical beauty of major and minor chords. Cognitive, Affective, & Behavioral Neuroscience 8:2, pages 126-131.
Crossref
A. Weill-Chounlamountry, L. Soyez-Gayout, C. Tessier & P. Pradat-Diehl. (2008) Vers une rééducation cognitive de l’amusie. Annales de Réadaptation et de Médecine Physique 51:5, pages 332-341.
Crossref
DELPHINE DELLACHERIE, NATHALIE EHRLÉ & SÉVERINE SAMSON. (2008) IS THE NEUTRAL CONDITION RELEVANT TO STUDY MUSICAL EMOTION IN PATIENTS?. Music Perception 25:4, pages 285-294.
Crossref
Andrea R. Halpern, Jeffrey S. Martin & Tara D. Reed. (2008) An ERP Study of Major-Minor Classification in Melodies. Music Perception 25:3, pages 181-191.
Crossref
Ramona Kenntner-Mabiala, Susanne Gorges, Georg W. Alpers, Andreas C. Lehmann & Paul Pauli. (2007) Musically induced arousal affects pain perception in females but not in males: A psychophysiological examination. Biological Psychology 75:1, pages 19-23.
Crossref
Younghwa Lee & Kenneth Kozar. (2007) Music Composition Theory and Web Purchases. Music Composition Theory and Web Purchases.
Nathalie Gosselin, Isabelle Peretz, Erica Johnsen & Ralph Adolphs. (2007) Amygdala damage impairs emotion recognition from music. Neuropsychologia 45:2, pages 236-244.
Crossref
Emily Pronin & Daniel M. Wegner. (2016) Manic Thinking. Psychological Science 17:9, pages 807-813.
Crossref
SUZANNE FILIPIC & EMMANUEL BIGAND. (2006) Key Processing Precedes Emotional Categorization of Western Music. Annals of the New York Academy of Sciences 1060:1, pages 443-445.
Crossref
Gregory D. Webster & Catherine G. Weir. (2005) Emotional Responses to Music: Interactive Effects of Mode, Texture, and Tempo. Motivation and Emotion 29:1, pages 19-39.
Crossref
Amber M. Leaver. (2004) Effects of Training and Melodic Features on Mode Perception. Music Perception: An Interdisciplinary Journal 22:1, pages 117-143.
Crossref

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.