Citations (21)
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Read on this site (6)
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Özen Odağ. (2013) Emotional engagement during literary reception: Do men and women differ?. Cognition and Emotion 27:5, pages 856-874.
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RaymondA. Mar, Keith Oatley, Maja Djikic & Justin Mullin. (2011) Emotion and narrative fiction: Interactive influences before, during, and after reading. Cognition and Emotion 25:5, pages 818-833.
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Joan Peskin. (2007) The genre of poetry: Secondary school students’ conventional expectations and interpretive operations. English in Education 41:3, pages 20-36.
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Gerald C. Cupchik. (2003) The ‘Interanimation’ of Worlds: Creative Metaphors in Art and Design. The Design Journal 6:2, pages 14-28.
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Articles from other publishers (15)
Joan Peskin & David I. Hanauer. 2023. A Life with Poetry. A Life with Poetry.
José Lino Oliveira Bueno, Márcia Regina Motta & Vitor Tumas. (2020) Effects of Touching Sculptures on the Artistic Appreciation of Collative Emotional/Perceptual Properties. Paidéia (Ribeirão Preto) 30.
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Paul Deane, Swapna Somasundaran, René R. Lawless, Hilary Persky & Colleen Appel. (2019) The Key Practice, Building and Sharing Stories and Social Understandings: The Intrinsic Value of Narrative. ETS Research Report Series 2019:1, pages 1-78.
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Hidetsugu Komeda, Tomohiro Taira, Kohei Tsunemi, Takashi Kusumi & David N. Rapp. (2017) A sixth sense. Scientific Study of Literature 7:2, pages 203-231.
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Rebecca S. McEntee, Renita Coleman & Carolyn Yaschur. (2016) Comparing the Effects of Vivid Writing and Photographs on Moral Judgment in Public Relations. Journalism & Mass Communication Quarterly 94:4, pages 1011-1030.
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Martin Siefkes. (2017) Perceptual qualities of literary style. Scientific Study of Literature 7:1, pages 52-78.
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Ines Schindler, Georg Hosoya, Winfried Menninghaus, Ursula Beermann, Valentin Wagner, Michael Eid & Klaus R. Scherer. (2017) Measuring aesthetic emotions: A review of the literature and a new assessment tool. PLOS ONE 12:6, pages e0178899.
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Eva Maria (Emy) Koopman. (2015) Empathic reactions after reading: The role of genre, personal factors and affective responses. Poetics 50, pages 62-79.
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Eva Maria (Emy) Koopman & Frank Hakemulder. (2015) Effects of Literature on Empathy and Self-Reflection: A Theoretical-Empirical Framework. Journal of Literary Theory 9:1.
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Gerald C. Cupchik. (2011) The Role of Feeling in the Entertainment=Emotion Formula. Journal of Media Psychology 23:1, pages 6-11.
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Despina Stamatopoulou. (2016) Embodied Imagination: Emotional Expression Perception of Dynamic Line-Drawings Created by Artists. Imagination, Cognition and Personality 26:3, pages 213-248.
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Andrew Elfenbein. (2020) Cognitive Science and the History of Reading. PMLA/Publications of the Modern Language Association of America 121:2, pages 484-502.
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Michelle C. Hilscher & Gerald C. Cupchik. (2016) Reading, Hearing, and Seeing Poetry Performed. Empirical Studies of the Arts 23:1, pages 47-64.
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Sergio Morra & Simona Lazzarini. (2016) A Cross-Cultural Study of Response to Icelandic and Italian Folktales. Empirical Studies of the Arts 20:1, pages 61-82.
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Ingrid K. Braun & Gerald C. Cupchik. (2016) Phenomenological and Quantitative Analyses of Absorption in Literary Passages. Empirical Studies of the Arts 19:1, pages 85-109.
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