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Articles

The Apolitical Irony of Generation Mash‐Up: A Cultural Case Study in Popular Music

Pages 79-94 | Published online: 22 Jan 2008

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Read on this site (4)

Samuel Thulin. (2018) Sound maps matter: expanding cartophony. Social & Cultural Geography 19:2, pages 192-210.
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Mickey Vallee. (2013) The Media Contingencies of Generation Mashup: A Žižekian Critique. Popular Music and Society 36:1, pages 76-97.
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David J. Gunkel. (2012) What Does it Matter Who is Speaking? Authorship, Authority, and the Mashup. Popular Music and Society 35:1, pages 71-91.
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Joseph Grobelny. (2007) Mashups, Sampling, and Authorship: A Mashupsampliography. Music Reference Services Quarterly 11:3-4, pages 229-239.
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Articles from other publishers (27)

Jeffrey Scott Yunek. (2023) Capturing the Zeitgeist: Preserving American Music and Culture in the Mashups of DJ Earworm. Journal of the Society for American Music, pages 1-27.
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Yasmin Jiwani. (2022) Resisting Islamophobia through Digital Artifacts of Mourning. Islamophobia Studies Journal 7:2.
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Michael Serazio. (2021) The irreverent life and uncompromising death of Deadspin: Sports blogging as punk journalism. Journalism 23:2, pages 461-478.
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Ellis Jones. (2021) The role of mashup music in creating Web 2.0’s democratic promise. Convergence: The International Journal of Research into New Media Technologies 27:4, pages 1112-1128.
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Thomas Gurke & Susan Winnett. 2021. Words, Music, and the Popular. Words, Music, and the Popular 1 10 .
Jeffrey Scott Yunek, Benjamin K Wadsworth & Simon Needle. (2020) Perceiving the Mosaic: Form in the Mashups of DJ Earworm. Music Theory Spectrum.
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Wayanne Watson. (2019) Mashup Strategies in Las cuatro estaciones porteñas : A Model for Connecting Compositional Technique to Musical Interpretation . Music Theory Spectrum 41:1, pages 21-36.
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Sophia MaalsenSophia Maalsen. 2019. The Social Life of Sound. The Social Life of Sound 93 141 .
Miriam Borham-Puyal. (2018) New Adventures in Old Texts: Gender Roles and Cultural Canons in Twenty-First-Century Mash-Ups. The Journal of Popular Culture 51:6, pages 1312-1331.
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Scott Proudfit. 2018. Contemporary Approaches to Adaptation in Theatre. Contemporary Approaches to Adaptation in Theatre 275 294 .
Charles Fairchild. (2017) The emergence and historical decay of the mash up. Journal of Popular Music Studies 29:4, pages e12246.
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Anthony Cushing. 2016. Networked Music Cultures. Networked Music Cultures 209 225 .
K. Adams. (2015) What Did Danger Mouse Do? The Grey Album and Musical Composition in Configurable Culture. Music Theory Spectrum 37:1, pages 7-24.
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Frédéric Döhl. 2015. Mashups. Mashups 131 149 .
Jonathan Sterne. 2012. MP3. MP3 227 245 .
Jonathan Sterne. 2012. MP3. MP3 1 31 .
Jonathan Sterne. 2012. MP3. MP3 299 330 .
Jonathan Sterne. 2012. MP3. MP3 247 294 .
Jonathan Sterne. 2012. MP3. MP3 184 226 .
Jonathan Sterne. 2012. MP3. MP3 148 183 .
Jonathan Sterne. 2012. MP3. MP3 128 147 .
Jonathan Sterne. 2012. MP3. MP3 92 127 .
Jonathan Sterne. 2012. MP3. MP3 61 91 .
Jonathan Sterne. 2012. MP3. MP3 32 60 .
Ragnhild Brøvig-Hanssen & Paul Harkins. (2012) Contextual incongruity and musical congruity: the aesthetics and humour of mash-ups. Popular Music 31:1, pages 87-104.
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Owen Chapman. (2011) The Elusive Allure of “Aura”: Sample-based Music and Benjamin’s Practice of Quotation. Canadian Journal of Communication 36:2, pages 243-262.
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Michael Serazio. (2010) Shooting for Fame: Spectacular Youth, Web 2.0 Dystopia, and the Celebrity Anarchy of Generation Mash-Up. Communication, Culture & Critique 3:3, pages 416-434.
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